old square

1 oz Rittenhouse Rye
1 oz Armagnac (Marie Duffau Napoleon)
1/2 oz Rancio Sec or sub Oloroso Sherry (Lustau Oloroso)
1/2 oz Dolin Sweet Vermouth (Alessio)
1/4 oz Benedictine
2 dash Peychaud's Bitters
2 dash Angostura Bitters

Stir with ice, strain into an old fashioned glass with a large ice cube, and garnish with an orange and a lemon twist. Two Fridays ago, I decided to make the Old Square by Danny Childs at Lacroix at The Rittenhouse Hotel in Philadelphia as "a rustic take on the Vieux Carré" via an August 2025 article in Imbibe Magazine. I probably skipped over this recipe last year since I did not have rancio sec, and I decided to do it regardless given their recommended substitution. I was also drawn in since a few months after that article, I saw Danny on a Campari Academy virtual session and then read his Slow Drinks book, and I would be seeing him talk in a week and a half at the USBG regional conference in Philadelphia. Oxidized fortified wines such as sherry have appeared in Vieux Carré riffs like Rhum with a Vieux and my Cocktail à la Salle, so a rye-Armagnac version seemed enticing. Once prepared, the Old Square gave forth lemon, orange, nutty grape, and anise aromas to the nose. Next, a grape-driven sip opened up into rye, brandy, nutty sherry, herbal, and anise flavors on the swallow.

drifter

1 1/2 oz Suntory Toki Japanese Whisky
3/4 oz Dolin Blanc Vermouth (Servito)
1/2 oz Amaro Nonino
3 dash Peychaud's Bitters

Stir with ice, strain into an old fashioned glass with a large ice cube, and garnish with a grapefruit twist. Two Thursdays ago, I became intrigued by the Drifter created at ABV in San Francisco and published in Punch. The San Francisco Examiner attributed the drink to bartender Donny Henderson and explained "so named because every ingredient comes from a different part of the world." Overall, the mix reminded me of an apricot-less Noble Order, a blanc instead of sweet vermouth Salary Man, and a Japanese whisky for Bourbon West End on paper. Once prepared, the Drifter sauntered in with a grapefruit, caramel, and orange aroma. Next, caramel and white grape notes on the sip flowed into whisky, bitter herbal, and anise flavors on the swallow.

anderson punch

1 3/4 oz Scotch (Famous Grouse)
3/4 oz Drambuie
1/2 oz Jeppson's Malört
1 dash Angostura Bitters

Stir with ice, strain into an old fashioned glass with a large ice cube, and garnish with a grapefruit twist. Two Wednesdays ago, I was inspired by the day before's Amaro Rusty Nail, and I took the idea in Malört direction after recalling how well it worked with Drambuie in the Bukowski. The combination ended up a bit too bright, but a dash of Angostura not only gave depth but complementary spice notes to the mix. For a name, I dubbed this one the Anderson Punch, the Chicken Man of Chicago, who was born in 1870 and became a legendary street performer that trained chickens to dance to his accordion and harmonica music. Punch was performing until the age of 101 before passing away in 1974. In the glass, the tribute to this colorful character of the Windy City gave forth grapefruit, honey, and Scotch aromas. Next, honey and malt notes on the sip welcomed in Scotch, honey, and grapefruit pith bitter flavors on the swallow. Overall, the Drambuie softened the Malört rather well.

amaro rusty nail

1 oz Scotch (3/4 oz Famous Grouse + 1/4 oz Laphroaig 10 Year)
1 oz Drambuie
1 oz Amaro Sfumato

At the bar, served from the freezer into a shot glass (served with a Budweiser for $10). Here, I stirred with ice, strained into an old fashioned glass with a large ice cube, and garnished with a lemon twist. Two Tuesdays ago, I was listening to the Speakeasy podcast where the hosts were interviewing Robby Dow of Bespoke in Wilmington, North Carolina. On the episode, Robby provided the recipe for the Amaro Rusty Nail which they serve undiluted from the freezer into a shot glass in a boilermaker pairing with a Budweiser. The concept fell into the class of bitter liqueur-tinged Rusty Nail riffs like the Tooth & Nail and the Bitter Nail, so I was intrigrued. Instead of building in a rocks glass and sticking it in the freezer for an hour, I decided to stir with ice and strain over a large ice cube in a rocks glass. With my addition of a lemon twist garnish, the Amaro Rusty Nail ushered in a lemon, roasty char, and smoke bouquet to the nose. Next, honey and roast notes on the sip emptied out into smoky Scotch and bitter herbal flavors on the swallow.

flamingo

1 oz Cuban Rum (2 oz Havana Club 7 Year)
1/2 oz Pineapple Juice (1 oz)
1 dash Grenadine (1/2 oz)
Juice 1/2 Lime (1/2 oz)

Blend with fine ice, pour into a coupe, and serve with straws (shake with ice and strain into a coupe). Two Mondays ago, I decided to make the Flamingo that been making the rounds after being picked up by Madrusan's recent cocktail book. I turned to the source which was Ted Saucier's 1951 Bottoms Up book as provided by the Flamingo Hotel in Las Vegas. While the Madrusan adaptation seemed a bit too sweet for my palate, the original as written was a bit too tart, so I split the difference. With the call for Cuban rum (and Madrusan asking for dark rum), I figured that this was a great way to use the second to last pour of my Havana Club 7 Year bottle I got in the Jalisco airport duty-free shop a decade ago. The bird name and color made its way into the 1939 Just Cocktails' Flamingo, but that one had gin and brandy instead of rum and pineapple juice. This Flamingo's combination appeared like the Santiago Julep from Trader Vic's 1947 Bartender's Guide if mint were added. Here, the Flamingo conjured up red berry, caramel, and pineapple aromas. Next, lime, pineapple, and dark caramel notes waded into dark rum, hint of molasses, pineapple, and red fruit flavors on the swallow.

sleeping tiger

1 1/2 oz Del Maguey Mezcal Vida (Fosforo Ensemble)
3/4 oz Lime Juice (1/2 oz)
1/4 oz Ginger Syrup
1/4 oz Honey Syrup
1/2 oz Pineapple Juice

Shake with ice, strain into an old fashioned glass with a cayenne pepper-Demerara sugar (1:4) rim, and garnish with a lime wheel (omit) and a light dusting of cayenne pepper. Two Sundays ago, I returned to Amanda Schuster's New York Cocktails book and spotted the Sleeping Tiger from Louis 649 in Manhattan that I had neglected to make over the years. This was Louis 649's most popular cocktail, and a year after they closed in 2014, the bar Mace opened in that spot. The concept with the honey-ginger aspect reminded me of agave Penicillin riffs like the Little Branch Cocktail perhaps crossed with mezcal-honey-cayanne recipes like the Dahlia's Revenge and my Lupe Velez. Once mixed, the Sleeping Tiger awoke with a pineapple, vegetal, and smoke aroma. Next, pineapple, honey, and lime notes on the sip stretched into smoky mezcal, pineapple, and ginger flavors on the swallow with a hint of pepper spice.

smoking jacket

1 oz Mezcal (Convite Esencial)
3/4 oz Campari
3/4 oz Sweet Vermouth (Alessio)
1/2 oz Ancho Reyes Chile Liqueur

Stir with ice, strain into an old fashioned glass with a large ice cube, and garnish with a grapefruit twist. Two Saturdays ago, I uncovered a set of online recipe flashcards for King Bee in Austin and landed on the Smoking Jacket. The site Austin Pedal Party mentioned the drink in a bar review and showcased it in a menu photo around the Fall 2024-Spring 2025 timeframe. This one joins the two other Smoking Jackets on the blog, namely Bergamot's and Death & Co.'s, but this is the only one to use mezcal instead of Scotch. Overall, the combination was rather similar to the Bordertown with different proportions and garnish and without bitters added. Once prepared, the Smoking Jacket gave forth a grapefruit, roasted vegetable, and smoke aroma. Next, grape and roast notes on the sip opened up into vegetal, smoky, dried fruit, bitter orange, and spice flavors on the swallow.

fire lily

1 1/2 oz Ford's Gin
1/2 oz Mezcal (Fosforo Ensemble)
1/2 oz Dry Vermouth (Dolin)
1/4 oz Triple Sec (Cointreau)
1/4 oz Crème de Violette (Rothman & Winter)
1 dash Thai Chili Firewater Tincture (3 dash my Hellfire Bitters)

Stir with ice, strain into a coupe glass, and garnish with an orange twist. Two Fridays ago, I turned to the Martini section of The Madrusan Cocktail Companion book, and I was drawn in by the Fire Lily that was created by Eric Alperin at The Varnish in Los Angeles as perhaps a riff on the Water Lily from Little Branch. Eric converted the Sour into a smoky and spicy Martini-style drink, but given the straight spirits nature, it slightly reminded me of the White Lily too. It also gave me a reason to use my bottle of violette for the second time that week that I had not dusted off since I made the Final Say last summer. Once prepared, the Fire Lily lept off with an orange, vegetal, floral, and pine aroma. Next, a hint of orange on the sip blossomed into gin, smoke vegetal, floral orange, and pepper spice flavors on the swallow.

sepia negroni

1 oz Gin (Tanqueray)
1 oz Blanc Vermouth (Servito)
1/2 oz Amaro Sfumato
1/2 oz Amontillado Sherry (Lustau)

Stir with ice, strain into a double old fashioned glass with a large ice cube, and garnish with an orange twist. Two Thursdays prior, I returned to the online recipe flashcards for Attaboy and became intrigued by the Sepia Negroni. An article about Florence Cocktail Week 2025 mentioned that Attaboy served this drink during their guest shift. True, this is not a not a Negroni but an abstraction; the use of Sfumato in this Negroni-adjacent drink reminds me of the Caustic Negroni that I came up on the fly to satisfy a request during my guest shift at Backbar years ago. Once stirred and strained, the Sepia Negroni conjured forth an orange, nutty sherry, and smoky roast aroma to the nose. Next, grape and roast notes on the sip unfurled into gin, nutty, and bitter herbal flavors on the swallow.