davinci

1 1/2 oz Gin (Tanqueray)
1/2 oz Campari
1/2 oz Sweet Vermouth (Alessio)
1/2 oz Amaro Sfumato

Stir with ice, strain into an old fasioned glass with ice, and garnish with an orange twist. Two Thursdays ago, I began perusing The Bartender's Choice Volume 3 app when I spotted the DaVinci crafted in 2023 by Roger Scandela at Manhattan's Attaboy. In the structure of spirit, Campari, Sfumato, and vermouth drinks, the Mean Old Man with Scotch stands out in my head, and I did a similar drink but with port called the Preceptor. Also in the ballpark is Cure's Ghost of My Life with gin, Campari, and Zucca (another rabarbaro like Sfumato) but no vermouth. Once mixed, the DaVinci gave forth a fresh orange aroma over Campari's orange and Sfumato's herbal and roast. Next, grape and roast notes on the sip flowed into gin, bitter orange, smoky, and earthy herbal flavors on the swallow.

columbia heights

1 1/4 oz Rye Whiskey (Rittenhouse)
1 1/4 oz Sweet Vermouth (Alessio)
1/4 oz Maraschino Liqueur (Luxardo)
1 dash Absinthe (8 drop St. George)

Stir with ice, strain into a coupe glass, and garnish with a lemon twist. Two Sundays ago, I selected The Madrusan Cocktail Companion book and landed on the Columbia Heights by Rob Libecans at Melbourne's Caretaker's Cottage in 2022. Overall, the recipe read like an Improved Manhattan minus the Angostura Bitters which seemed like a great nightcap. I later found the Dirty Harry which is a bit more rye-driven version of this combination, and of course, the Lawhill as a dry vermouth and bitters variation that was a cult classic at Drink in Boston back in the day. In the glass, the Columbia Heights shared a lemon, dark grape, nutty cherry, and anise aroma. Next, grape and cherry notes on the sip evolved into rye, herbal, cherry, and anise flavors on the swallow.

the decatur

1 1/2 oz Bonded Rye Whiskey (Rittenhouse)
3/4 oz Sweet Vermouth (Alessio)
1/4 oz Peach Liqueur (Mathilde)
1/4 oz Maraschino (Luxardo)

Stir with ice and strain into a coupe glass. I added a cherry garnish to the recipe. Two Tuesdays prior, Matt Pietrek posted a drink on his Cocktail Wonk Instagram while he was traveling in France called The Decatur that was subtitled "The Brooklyn of Georgia." His recipe read like a cross between a Bourbon Bell and a Buffalo, so it definitely caught my attention. Moreover, I thought keeping the Amer Picon (or similar bitter liqueur) and replacing the Maraschino with peach would have been an interesting riff as well, but two stone fruit liqueurs might have a curious synergy. Once mixed, The Decatur displayed rye, cherry, and peach aromas. Next, grape and red fruit notes on the sip delved into rye, nutty, vanilla, and peach flavors on the swallow.

kingston neck tai

(a) 1/2 oz Smith & Cross Rum
1/2 oz Campari
1/2 oz Sweet Vermouth (Alessio)
(b) 1 1/2 oz oz Aged Jamaican Rum (Coruba) (*)
1/2 oz Lime Juice
1/2 oz Orgeat
1/2 oz Orange Liqueur (Pierre Ferrand Dry Curaçao)

Stir ingredients in set A with ice. Shake ingredients in set B with ice and strain into a double old fashioned glass. Add crushed ice, and layer the stirred set A on top. Fill with crushed ice and garnish with a spent lime shell (or orange twist) and mint sprigs.
(*) A lighter Jamaican rum like Appleton Signature might make the layers more visually distinct than the dark rum I opted for. Two Mondays ago, I became inspired by Three Dots & A Dash's Negroni + Saturn that layered a rum-based Kingston Negroni over a gin-based Saturn; however, I wanted to keep the spirit class the same like I did in my Negroni on Saturn (but layered opposed to a mashup). Therefore, I conceived of a Kingston Negroni over a Mai Tai to keep Jamaican rum as the central thread tying the two parts together. For a name, I cleaned up the idea of Kingston Neg-Tai into the Kingston Neck Tai. My original plan earlier in the day was to do an orange twist to tie in the garnish from the Kingston Negroni aspect along with a mint bouquet, but I forgot that once the drink making process got started and I ended up garnishing with the classic spent half lime shell. Once prepared, the Kingston Neck Tai surrounded the nose with a mint, lime, and rum funk aroma. Next, using a straw, a creamy lime and orange sip progressed into funky rum and orange flavors on the swallow. As the rum Negroni entered the scene, the gained caramel notes on top of the creamy lime ones with additional funky rum and bitter orange flavors on the swallow.

gravedigger

3/4 oz Aged Rhum Agricole (Rhum Clement VSOP)
3/4 oz Amaro Nardini
3/4 oz Cointreau
3/4 oz Sweet Vermouth (Alessio)

Stir with ice, strain into a double old fashioned glass with a large ice cube, and garnish with an orange twist. Two Fridays ago, I opened up the Bartender's Choice Volume 3 app and spied the Gravedigger by Chris Hughes at Manhattan's Attaboy circa 2025. The equal part stirred drink with vermouth and amaro elements reminded me of the Last Mechanical Art, and the bitter liqueur-vermouth-Cointreau combination made me think of the Lucien Gaudin. Moreover, the only Nardini-rhum agricole drink on the blog is the Adventures Close to Home, so I was curious to try one that was not my creation. Once mixed, the Gravedigger prepared an orange, grassy, and caramel aroma. Next, orange and caramel notes on the sip led into grassy rum, caramel orange, apricot, and herbal flavors on the swallow.

kingston negroni (toby maloney)

1 3/4 oz Planteray Stiggins' Fancy Pineapple Rum
1/4 oz Smith & Cross Rum
1 oz Carpano Antica Sweet Vermouth (Alessio)
1/2 oz Campari
1/2 oz Cynar

Stir with ice, strain into a double old fashioned glass with a large ice cube, and garnish with an orange twist and a lemon twist. Two Thursdays ago, I decided to make a recipe that I had spotted in Toby Maloney and Emma Janzen's The Classic Cocktail Sessions book that was Toby's take on the Kingston Negroni which appeared in the book's Negroni variation section. To Joaquin Simó's tropical Negroni riff, Toby described, "I up the amount of booze (of course) and then lean into the dark brooding funky flavors of the Jamaican rum by plumping up the Campari with some of the artichoke-based Cynar." Toby's recipe joins the other Kingston Negroni riffs that I have made such as Paul McGee and Shelby Allison's Pineapple Kingston Negroni that included pineapple rum in with the Jamaican rum and Death & Co.'s Improved Kingston Negroni that swapped the vermouth and amaro to Punt e Mes and Zucca. This one is in the middle utilizing the pineapple rum split from the former and a change in bitter liqueurs from the latter. Once prepared, Toby's Kingston Negroni gave forth an orange, lemon, pineapple, and rum funk bouquet to the nose. Next, caramel and grape notes on the sip delved into funky rum, pineapple, bitter orange, and funky herbal flavors on the swallow.

left-handed banana

1 1/2 oz Bourbon (Evan Williams Bonded)
1/2 oz Campari
1/2 oz Sweet Vermouth (Alessio)
1/2 oz Banana Liqueur (Tempus Fugit)
2 dash Chocolate Bitters (Bittermens Mole)

Stir with ice, strain into an old fashioned glass with ice, and garnish with a cherry. Two Sundays ago, I spotted a curious recipe on the Reddit Cocktails forum created by user The_Xozz called the Left-Handed Banana. The recipe was a riff on Sam Ross' Left Hand and named after a legendary item in the RuneScape game. After I made it, someone reminded me of Anvil's Banana Boulevardier, and I thought: just like a Left Hand is a Boulevardier with chocolate bitters and served up, this is its own drink. Unlike the standard Left Hand that opts for an orange twist and a cocktail coupe, this recipe calls for a cherry and an old fashioned glass with ice (the Banana Boulevardier recipe gives the option of either coupe or rocks glass with ice serving styles, both with an orange twist). Once prepared, the Left-Handed Banana conjured up a cherry and fruity aroma. Next, grape and caramel notes on the sip developed into Bourbon, bitter orange, and banana flavors on the swallow with a chocolate finish.

race to the bottom

1 oz Rye Whiskey (Rittenhouse)
1 oz Applejack (Laird's Bonded)
1/2 oz Carpano Antica Sweet Vermouth (Alessio)
1/2 oz Amaro Braulio
1/8 oz Grenadine

Stir with ice, strain into an old fashioned glass with ice, and garnish with an orange twist. Two Fridays ago, I got home from work and opened up the Bartender's Choice Volume 3 app and selected the Race to the Bottom by Chris Hughes at Manhattan's Attaboy circa 2021-22. Grenadine historically has paired well with amari such as with Fernet in the Jim Rose, Cynar in the Giuseppe's Lady, and Amer Picon in the Jayco, but I have never previously had it paired with Braulio. In the glass, the Race to the Bottom started with an orange, grape, and dark berry aroma. Next, grape and berry notes continued on into the sip where they were chased by rye, apple, pine, herbal, and red berry flavors on the swallow.

baudouine

1 1/2 oz Siete Leguas Añejo Tequila (Cimarron Reposado)
3/4 oz Carpano Sweet Vermouth (Alessio)
3/4 oz Amaro Nonino
1/2 oz Lustau East India Solera Sherry
1 tsp Marie Brizard White Crème de Cacao (Bols)
3 dash Bittermens Mole Bitters
1 dash Orange Bitters (Angostura Orange)

Stir with ice and strain into an old fashioned glass with a large ice cube. Two Mondays ago, I spotted a reference to the Baudouine at the NoMad bar in London, and I soon located the recipe in The NoMad Cocktail Book. The drink created by Gino Pellarin at the original Manhattan location was perhaps named after a historic building that was build in 1896 in the Classical Revival Style including a small Greco-Roman temple on the upper levels and that is located around the corner from the bar (until the New York City location closed in 2021). There are three reposado tequila-based drinks containing Amaro Nonino on the blog, and they are all from Death & Co. or their alumni: West of East India, Spaghetti Western, and Los Amargos, so I was interested to see NoMad's take on it. In the glass, the Baudouine ascended to the nose with a raisin and vegetal aroma. Next, grape and caramel notes on the sip developed into tequila, chocolate, orange, and dried fruit flavors on the swallow.

wicked wench

1 oz Planteray OFTD Rum
1 oz Carpano Antica Sweet Vermouth (Alessio)
1 oz Aperol

Stir with ice and strain into a rocks glass with ice. Two Saturdays ago, I returned to the online recipe flashcards for the New Orleans-themed Club 33 at Disneyland in Anaheim and selected the Wicked Wench as a curious equal part stirred drink. I was able to find a Yelp drink photo from 2019, and a Yelp menu photo in 2018 that explained, "The Wicked Wench sailed the seas under Captain Barbossa laying waste to all those dared challenge her. Strike yer colors, ye bloomin' cockroachers! Then let me celebrate with me glass of killdevil!" The last time I had the sweet vermouth-Aperol combination was in the Proof of Heart also from Club 33, but the combination reminded me the most of the Kingston Contessa with Smith & Cross and perhaps the Bless Up with Appleton (and the addition of small amounts of Averna and cacao) both at Eastern Standard. Since I am a sucker for OFTD Rum and how its burliness can reshape a cocktail, I gave this one a go. In the glass, the Wicked Wench welcomed the senses with a dark rum, orange, and funky molasses aroma. Next, grape and caramel notes on the sip lured in funky rum, roast, herbal, and orange flavors on the swallow.

proof of heart

1 oz Cognac (Courvoisier VS)
3/4 oz Bourbon (Evan Williams Bonded)
3/4 oz Aperol
1/2 oz Carpano Sweet Vermouth (Alessio)
2 dash Orange Bitters (Angostura Orange)

Stir with ice, strain into an old fashioned glass with ice, and garnish with a lemon twist. Two Wednesdays prior, I stumbled back to the online recipe flashcards for the New Orleans-themed Club 33 at Disneyland in Anaheim. There, I was drawn in by the Proof of Heart where the Aperol-sweet vermouth modifier duo that worked well in the Contessa with gin, Pulitzer with rye, and Dolores Haze with tequila, seemed curious with a split base of Cognac and Bourbon. In the glass, the Proof of Heart shared a lemon and dark grape bouquet. Next, grape and orange notes on the sip evolved into Cognac, whiskey, bitter orange, and rhubarb flavors on the swallow.

soul wandering

3/4 oz Genever (Bols Barrel-Aged)
3/4 oz Gin (Tanqueray)
1/2 oz Cynar
1/2 oz Coffee Liqueur (Borghetti)
1/2 oz Sweet Vermouth (Alessio)

Stir with ice, strain into a coupe glass, and garnish with an orange twist.

After making the City to City the day before that was related to the Transmigration, I was inspired to turn the two-Scotch and two-rum drinks, respectively, into a Genever-gin one. Genever and gin have worked in everything from stirred drinks like the Precursor to tropical ones like the Modern Prometheus. Moreover, Genever has paired well with Cynar and coffee liqueur such as in the Wild Card and the Hard Times, respectively, so I figured that the combination had a good chance to click. For a name, I ended up on Soul Wandering to stick with the migration theme. Once prepared, the Soul Wandering opened up with an orange, malty, caramel-roast, and herbal aroma. Next, roast and grape notes on the sip shifted into malty, coffee, and herbal flavors on the swallow. A day or two later, my Instagram friend Tim Kirkland made this drink and wrote in his own post, "Bold, complex, rich. Genever lovers, listen up! As a huge Genever fan, I'm always looking for creative ways to showcase this amazing spirit. This cocktail checks all boxes. Offering hints of juniper, malt, a little cola, coffee, black grapes, orange peel, and a very slightly bitter/malt/coffee finish, the Genever was perfect in this. The gin/Genever combo worked well to bring out the bitter notes from the Cynar, while accentuating the rich coffee notes. The orange oils sort of brought everything together in a wonderful way."

city to city

3/4 oz Scotch (Famous Grouse)
3/4 oz Islay Scoth (Ardbeg 10 Year)
1/2 oz Cynar
1/2 oz Coffee Liqueur (Borghetti)
1/2 oz Sweet Vermouth (Alessio)

Stir with ice, strain into a Nick & Nora (coupe) glass, and garnish with an orange twist. Two Thursdays ago, the second drink I made was one that I found on my Instagram feed as posted by my friend Daniel Zajic called the City to City. The recipe was crafted by Tom Lasher-Walker at Fresh Kills in Brooklyn as a riff on Sasha Petraske's Migration and named after Gerry Rafferty's 1978 album. I learned of the Migration through Tom's other riff, the rum-based Transmigration, that also utilized the coffee element not found in Sasha's drink. Once prepared, City to City gave forth an orange, smoke, and coffee aroma. Next, roast, grape, and caramel notes on the sip traveled to smoky Scotch, herbal, and coffee flavors on the swallow.

smoke along the crescent bend

3/4 oz Laphroaig 10 Year Scotch
3/4 oz El Dorado 8 Year Rum (Hamilton's Demerara River)
3/4 oz Carpano Sweet Vermouth (Alessio)
1/2 oz Benedictine
2 dash Peychaud's Bitters
2 dash Angostura Bitters

Stir with ice and strain into a coupe glass. Two Wednesdays ago, I returned home from my trip to Philadelphia for the USBG Bar Summit to a house with no electricity. When I learned that power would not be back until 3am, I decided to go to bed and double up my efforts on Thursday. The first drink I made then was from a set of online recipe flashcards that I found for Club 33 which is a restaurant in the New Orleans Square part of Disneyland in Anaheim. The drink was called Smoke Along the Crescent Bend as a Vieux Carré riff, and a Yelp menu photo from 2025 provided the description, "Aromas of campfire smoke and tobacco fill the air as riverboats travel along the mighty Mississippi. Goods are bought and sold by travelers at each stop along the way." While I have had rum-based Vieux Carré riffs like the Rhum with a Vieux and a Scotch-based De la Louisiane riff called Islay Louisiane, I have not had the combination in a single glass. Once mixed, the Smoke Along the Crescent Bend paddled to the nose with peat smoke, grape, and anise aromas. Next, caramel and grape on the sip unloaded smoky Scotch, woody rum, herbal, allspice, and anise flavors on the swallow.

as you were

1 oz Banhez Mezcal (Fosforo Ensemble)
1 oz Corazon Reposado Tequila (Cimarron)
3/4 oz Valdespino Pedro Ximenez Sherry (Lustau)
1/2 oz Cocchi Sweet Vermouth (Alessio)
2 dash Mole Bitters (Bittermens)
2 dash Orange Bitters (Angostura Orange)

Stir with ice, strain into a Nick & Nora (coupe) glass, and garnish with a grapefruit disk and a cherry. Two Thursdays ago, I returned to the online recipe flashcards for The Violet Hour in Chicago, and from their Fall 2021 menu, I was drawn in to the As You Were that was described as an "End of the night agave Manhattan". The idea of agave spirits, sweet vermouth, and Pedro Ximenez sherry was one that I enjoyed in the Stage Dives & Fist Fights created at the Last Word in San Antonio, so it was time to mix this one up. In the glass, the As You Were began with grapefruit, raisin, cherry, and smoky vegetal aromas. Next, a semi-sweet grape sip flowed into smoky vegetal, raisin, herbal, orange, and chocolate flavors on the swallow.

old square

1 oz Rittenhouse Rye
1 oz Armagnac (Marie Duffau Napoleon)
1/2 oz Rancio Sec or sub Oloroso Sherry (Lustau Oloroso)
1/2 oz Dolin Sweet Vermouth (Alessio)
1/4 oz Benedictine
2 dash Peychaud's Bitters
2 dash Angostura Bitters

Stir with ice, strain into an old fashioned glass with a large ice cube, and garnish with an orange and a lemon twist. Two Fridays ago, I decided to make the Old Square by Danny Childs at Lacroix at The Rittenhouse Hotel in Philadelphia as "a rustic take on the Vieux Carré" via an August 2025 article in Imbibe Magazine. I probably skipped over this recipe last year since I did not have rancio sec, and I decided to do it regardless given their recommended substitution. I was also drawn in since a few months after that article, I saw Danny on a Campari Academy virtual session and then read his Slow Drinks book, and I would be seeing him talk in a week and a half at the USBG regional conference in Philadelphia. Oxidized fortified wines such as sherry have appeared in Vieux Carré riffs like Rhum with a Vieux and my Cocktail à la Salle, so a rye-Armagnac version seemed enticing. Once prepared, the Old Square gave forth lemon, orange, nutty grape, and anise aromas to the nose. Next, a grape-driven sip opened up into rye, brandy, nutty sherry, herbal, and anise flavors on the swallow.

smoking jacket

1 oz Mezcal (Convite Esencial)
3/4 oz Campari
3/4 oz Sweet Vermouth (Alessio)
1/2 oz Ancho Reyes Chile Liqueur

Stir with ice, strain into an old fashioned glass with a large ice cube, and garnish with a grapefruit twist. Two Saturdays ago, I uncovered a set of online recipe flashcards for King Bee in Austin and landed on the Smoking Jacket. The site Austin Pedal Party mentioned the drink in a bar review and showcased it in a menu photo around the Fall 2024-Spring 2025 timeframe. This one joins the two other Smoking Jackets on the blog, namely Bergamot's and Death & Co.'s, but this is the only one to use mezcal instead of Scotch. Overall, the combination was rather similar to the Bordertown with different proportions and garnish and without bitters added. Once prepared, the Smoking Jacket gave forth a grapefruit, roasted vegetable, and smoke aroma. Next, grape and roast notes on the sip opened up into vegetal, smoky, dried fruit, bitter orange, and spice flavors on the swallow.

call it a night

2 oz Bourbon (Evan Williams Bonded)
3/4 oz Carpano Sweet Vermouth (Alessio)
1/2 oz Pedro Ximenez (Lustau)
1 tsp Averna

Stir with ice and strain into a coupe glass rinsed with absinthe (Butterfly). Two Mondays ago, I turned to an old Imbibe Magazine article from April 2019 to make a Manhattan riff called the Call It a Night created by Katie Rose at Goodkind in Milwaukee, Wisconsin. The pairing of sweet vermouth and Pedro Ximenez have worked well in drinks like the Stage Dives & Fist Fights, William Wallace, and Riddles in the Dark, so I was curious to try it here with Averna and absinthe accents. In the glass, the Call It a Night summoned a licorice and raisin aroma. Next, a rich grape sip wandered off to showcase Bourbon, fig, and anise flavors on the swallow.

the mental demands of modern life

1 1/2 oz Altos Reposado Tequila (Cimarron)
1/2 oz Pedro Ximenez Sherry (Lustau)
1/2 oz Cocchi Sweet Vermouth (Alessio)
3/8 oz Fernet Branca
3/8 oz Giffard Crème de Banane (Tempus Fugit)
2 dash Regan's Orange Bitters (Angostura Orange)
1 dash Angostura Bitters

Stir with ice, strain into an old fashioned glass with a large ice cube, and garnish with an orange twist. Two Wednesdays ago, I returned to the online recipe flashcards for the Patterson House in Nashville, and The Mental Demands of Modern Life called out to me especially since I had just replaced my bottle of Pedro Ximenez. A 2022 StarChefs article attributed the drink to bartender Sam McCullough. While the aged spirit, banana, and Fernet trio makes me think of the Away Colors, the closest drink that I have tried is a mezcal with vermouth version called Dead in the Water, and I created a gin with vermouth Hanky Panky riff called Monkey Business. The Mental Demands of Modern Life in the glass evolved an orange, raisin, and menthol aroma. Next, grape and caramel notes on the sip unloaded vegetal agave, cooked banana, raisin, gentian bitter, and menthol flavors on the swallow.

faithful departed

1 oz Dubliner Irish Whiskey (Teeling Small Batch)
1 oz Cihuatan Indigo Aged Rum (Doorly's 12 Year)
1/2 oz Carpano Antica Sweet Vermouth (Alessio)
1/4 oz Lucano Café (Borghetti)
1/8 oz Green Chartreuse
1/8 oz Demerara Syrup
2 dash Angostura Bitters

Stir with ice, strain into a coupe, and garnish with lemon oil from a twist (include the twist). Two Sundays ago, I was perusing online recipe flashcards from The Violet Hour in Chicago, and I became enraptured with the Faithful Departed from their Fall 2022 menu. I have only had coffee liqueur and Green Chartreuse once before in the Jungle Madness, so I was curious to try it in a Manhattan format. The name refers to the Anglican and Catholic concept of deceased Christians who are waiting in purgatory to arrive in heaven. That definition made me think of Ted Kilgore's Purgatory especially with the straight spirits whiskey and Chartreuse overlap. In the glass, the Faithful Departed rose to the senses with a lemon oil and coffee bouquet. Next, roast and grape notes on the sip summoned rum, coffee, herbaceous, and clove flavors on the swallow.