the decatur

1 1/2 oz Bonded Rye Whiskey (Rittenhouse)
3/4 oz Sweet Vermouth (Alessio)
1/4 oz Peach Liqueur (Mathilde)
1/4 oz Maraschino (Luxardo)

Stir with ice and strain into a coupe glass. I added a cherry garnish to the recipe. Two Tuesdays prior, Matt Pietrek posted a drink on his Cocktail Wonk Instagram while he was traveling in France called The Decatur that was subtitled "The Brooklyn of Georgia." His recipe read like a cross between a Bourbon Bell and a Buffalo, so it definitely caught my attention. Moreover, I thought keeping the Amer Picon (or similar bitter liqueur) and replacing the Maraschino with peach would have been an interesting riff as well, but two stone fruit liqueurs might have a curious synergy. Once mixed, The Decatur displayed rye, cherry, and peach aromas. Next, grape and red fruit notes on the sip delved into rye, nutty, vanilla, and peach flavors on the swallow.

lacrimosa

2 oz Rittenhouse Rye
3/4 oz Luxardo Bitter (Bianco)
3/4 oz Amaro Ciociaro

Stir with ice, strain into an old fashioned glass with a large ice cube, and garnish with a flamed orange twist (unflamed). Two Saturdays prior, I decided to make the Lacrimosa by David Slape at Manhattan's P.D.T. in Fall 2008 via The P.D.T. Cocktail Book as a "dark, brooding Negroni variation." I spotted this a few days before on a friend's Instagram and realized that I skipped over the recipe in the book since I lacked Luxardo's Bitter until a year and a half ago. In the glass, the Lacrimosa cried forth fresh orange oil aromas over rye and caramel orange ones. Next, a caramel-driven sip from the Ciociaro opened up into rye, dark orange, and bitter herbal flavors on the swallow.

no further questions

2 oz Rye Whiskey (Rittenhouse)
1/2 oz Punt e Mes
1/2 oz Amaro Ciociaro
1/8 oz Peated Whisky (Laphroaig 10 Year)
2 dash Orange Bitters (Angostura Orange)

Stir with ice, strain into a coupe glass, and garnish with an orange twist. Two Fridays ago, I decided to make a drink created by Tim Kirkland called No Further Questions that he named after his friend Brian Collins' frequent replies to requests of a sip of the drink that he posted on Instagram. Whisky, Punt e Mes, and Ciociaro is a combination that worked well in my Jolly Jane, Rafa Garcia Febles' Stenton, and other recipes, so I was curious to try it here. In the glass, the No Further Questions proffered orange, peat smoke, and grape aromas to the nose. Next, grape and caramel on the sip soon hid behind rye, caramel orange, bitter herbal, and peat smoke flavors on the swallow.

don draper's bitter end

1 oz Rye (Rittenhouse)
1 oz Cognac (Courvoisier VS)
1/2 oz Averna
1/4 oz Fernet Branca
1/4 oz Orange Liqueur (Pierre Ferrand Dry Curaçao) (*)
2 dash Angostura Bitters

Stir with ice, strain into an old fasioned glass with ice, and garnish with an orange twist.
(*) An adaptation added to the original recipe. Two Mondays ago, I was perusing the Kindred Cocktails database when I came across Don Draper's Bitter End created at Hank's Oyster Bar in Alexandria, Virginia, circa 2014. The recipe posted there was an adaptation of the original that included the addition of orange liqueur for sweetness. I found the rye, Fernet, and orange liqueur combination reminscent of the Alcazer from Pioneers of Mixing at Elite Bars: 1903-1933, so I went with it. Once stirred and strained, the Don Draper's Bitter End gave forth orange, Cognac, caramel, and menthol aromas. Next, a caramel-driven sip soon advertised rye, Cognac, orange, bitter gentian, and minty-menthol flavors on the swallow.

bitter bird

2 oz Rittenhouse Rye
1/2 oz Cynar
1/2 oz Pierre Ferrand Dry Curaçao
1/8 oz Demerara Syrup
1 dash Saline (3 drop 20%)

Stir with ice, strain into a double old fashioned glass, and garnish with orange oil from a twist. Two Saturdays ago, I turned to online recipe flashcards for Eastern Standard in Boston, and I selected the Bitter Bird from the Spring 2026 menu. The restaurant's menu from March has it in the "Old Fashioned: Everything New is Old Again" section, and their Instagram reel has bartender Julian Bernal describing it as his creation from 2013 before he was working at there and how his drink lands somewhere between a Manhattan and an Old Fashioned. Overall, the combination comes across like the Papa Was a Rodeo with rye and no bitters or the Water Line without aquavit. Once built, the Bitter Bird flew to the nose with orange, rye, and herbal aromas. Next, caramel with hints of orange on the sip swooped before alighting on rye and herbal-orange flavors on the swallow.

thang down flip

1 1/2 oz Rittenhouse Rye
3/4 oz Zucca Rabarbaro (Sfumato)
3/4 oz Amargo de Chile (Ancho Reyes Chile Liqueur)
1/2 oz Demerara Syrup
1 Whole Egg

Shake one round without ice and one round with ice, strain into a snifter glass (single old fashioned), and garnish with freshly microplaned chocolate. Two Mondays ago, I returned to online recipe flashcards for Chicago's The Violet Hour and happened upon the Thang Down Flip from their Winter 2022 menu; the slightly cooler weather made a whole egg drink not feel out of place. Overall, it reminded me of the Colleen Bawn with the rye, egg, two liqueurs, and grated garnish. Having tasted Amargo de Chile earlier this year, I felt that Ancho Reyes would work well in its place. The drink was probably named after the Missy Elliott's song "Work It" with the lyric "I put my thang down, flip it and reverse it." Once prepared, the Thang Down Flip offered up chocolate, herbal, and roast aromas to the nose. Next, a creamy and caramel sip was chased by rye, chili pepper, smoky herbal, and hint of spice flavors on the swallow.

locksmith

1 1/2 oz Rye Whiskey (3/4 oz Rittenhouse + 3/4 oz Old Overholt 86°)
1 oz Cocchi Americano
1/2 oz Islay Scotch (Ardbeg 10 Year)

Stir with ice, strain into a coupe glass, and garnish with a lemon twist. Two Wednesdays prior, I reached for my copy of The Madrusan Cocktail Companion book, and I landed on the Locksmith by Ingrid Archer and David Molyneux at The Everleigh in Melbourne circa 2018 in the book's Manhattan section. Scotch and either Lillet or Cocchi Americano seem to go rather well together in classics such as in the Prince Edward, and there is a very similar cocktail to the Locksmith in the NoMad Cocktail Book, the North Sea Oil, with aquavit instead of rye and a quarter of the Cocchi Americano swapped for orange liqueur. Once assembled, the Locksmith opened up the aroma with a lemon, peat smoke, and grapefruit bouquet. Next, white grape, orange, and malt notes on the sip unlocked rye, smoky Scotch, apricot, and grapefruit pith flavors on the swallow.

wry grin

1 1/2 oz Rye Whiskey (Rittenhouse)
1/2 oz Fernet Branca
3/4 oz Simple Syrup
4 wedge Lemon (1/2 Lemon in quarters)
6-8 leaf Mint

Muddle lemon wedges and mint. Add rest of the ingredients, shake with ice, strain into an old fashioned glass, fill with crushed ice, and garnish with a mint bouquet. Two Sundays ago, I reached for my copy of The Madrusan Cocktail Companion book and spied the Wry Grin by Sam Ross at Manhattan's Milk & Honey circa 2010 in the Smash section. Overall, it reminded me a little of the Job's Lament which did the rye-Fernet combination in Mint Julep form but with Amaro di Angostura instead of the simple and lemon here. In the glass, the Wry Grin greeted the senses with fresh mint over rye and menthol aromas. Next, lemon with a hint of caramel on the sip revealed rye whiskey, caramel, and minty-menthol flavors on the swallow.

race to the bottom

1 oz Rye Whiskey (Rittenhouse)
1 oz Applejack (Laird's Bonded)
1/2 oz Carpano Antica Sweet Vermouth (Alessio)
1/2 oz Amaro Braulio
1/8 oz Grenadine

Stir with ice, strain into an old fashioned glass with ice, and garnish with an orange twist. Two Fridays ago, I got home from work and opened up the Bartender's Choice Volume 3 app and selected the Race to the Bottom by Chris Hughes at Manhattan's Attaboy circa 2021-22. Grenadine historically has paired well with amari such as with Fernet in the Jim Rose, Cynar in the Giuseppe's Lady, and Amer Picon in the Jayco, but I have never previously had it paired with Braulio. In the glass, the Race to the Bottom started with an orange, grape, and dark berry aroma. Next, grape and berry notes continued on into the sip where they were chased by rye, apple, pine, herbal, and red berry flavors on the swallow.

high plains julep

1 oz Rye Whiskey (Rittenhouse)
1/2 oz Amaro Braulio
1/2 oz Amaretto (Luxardo)
6-8 leaf Mint

Muddle mint with the liqueurs in a Julep cup, add the rest of the ingredients, top with ice, and garnish with a mint bouquet. Two Mondays ago, I got home late from a series of industry events and felt like enjoying a Julep to round out the evening. Therefore, I reached for my copy of The Madrusan Cocktail Companion and became intrigued by the High Plains Julep by Travis Hernandez at Half Step in Austin circa 2017. There was something about amaretto juxtaposed with Braulio that I needed to experience to understand, and I also have a lot of Luxardo Amaretto since shortly after buying a bottle, I was tasked with developing a recipe with Luxardo and Hotaling products and was sent another bottle for R&D. Checking back, "shortly" was two years ago (replacing my 15+ year old bottle of Disaronno that I finished a month before), but that does sum up my general use of that liqueur. There are a few instances on the blog of bitter liquids pairing with amaretto with the most extreme being a hefty slug of Angostura Bitters in the Sock Drawer Sexuality, but most are with softer amaro such as two that I created – the Bar Boss with Cynar and the Am-Am Sour with Averna. While the closest thing to amaretto meeting mint was in the garnish to the Caribbean Punch, Braulio has been paired before with mint including two other Juleps – the Ducati and the Thieves in the Night. So I set to work (and got one step closer to not dying with two bottles of amaretto bottles in the house), and the High Plains Julep offered up mint aromas over almond and stone fruit pit ones. Next, caramel on the sip expanded into rye, almond, minty, bitter herbal, and pine flavors on the swallow.

job's lament

1 oz Fernet Branca (*)
1/2 oz Amaro di Angostura
1/2 oz Wild Turkey 101° Rye (Rittenhouse)
1/2 oz Demerara Syrup
4 drop Scrappy's Cardamom Bitters (1 dash Bitter Housewife)
1 grip Mint (8 leaf)

Muddle mint leaves in a Julep cup, add the rest of the ingredients and crushed ice, swizzle to mix and chill, top with crushed ice, and garnish with a mint bouquet.
(*) Originally created with Fernet Vallet but it became unavailable. The Yelp menu photo has it as Branca. Two Thursdays prior, I ventured back to the online recipe flashcards from the Patterson House in Nashville and selected the Job's Lament especially since my mint was finally back up to speed. I was able to find a Yelp menu photo with the drink from February 2022, and it joins the other two laments on the blog, namely the Mayor's Lament and my Piglet's Lament (as a riff on Eeyore's Requiem). Overall, the recipe reminded me of Giuseppe Gonzalez's Magic Julep except with Amaro di Angostura and rye whiskey in place of Guiseppe's full ounce slug of Angostura Bitters. Once built, the Job's Lament proffered a mint aroma. Next, caramel from the two amari filled the sip, and the swallow rounded things up with minty, menthol, allspice, and clove flavors.

the wardlow

2 oz Bulleit Rye (Old Overholt 86°)
3/4 oz Lemon Juice
1/2 oz Honey Syrup
1/2 oz Benedictine
2 dash Peychaud's Bitters

Shake with ice, strain into a coupe glass, and accent with 2 spritzes absinthe (10 drop St. George). The recipe did not specify if the spritzes were before (like a rinse) or after straining, and I did the latter. Note: a Yelp photo from June 2015 showed this drink served with what appears to be an orange twist (not included here). Two Saturdays ago, I returned to the set of online recipe flashcards from Roxanne's and honed in on the Wardlow created circa 2015 and named after their street address in Long Beach, California. Overall, the drink read like a Gold Rush meets a Frisco Sour, so I was intrigued. Moreover, the combination of Benedictine, honey, and lemon is one that I have seen before in the Castle Garden with gin and Angostura, the Bail Out with Bourbon and allspice dram, the Fecamp 500 with applejack and lemon bitters, and my French Film at Loyal Nine with dry vermouth. Once shaken and strained, the Wardlow showcased an anise and floral bouquet to the nose. Next, lemon and honey notes on the sip unfurled into rye, herbal, floral, cherry, and anise flavors on the swallow.

old square

1 oz Rittenhouse Rye
1 oz Armagnac (Marie Duffau Napoleon)
1/2 oz Rancio Sec or sub Oloroso Sherry (Lustau Oloroso)
1/2 oz Dolin Sweet Vermouth (Alessio)
1/4 oz Benedictine
2 dash Peychaud's Bitters
2 dash Angostura Bitters

Stir with ice, strain into an old fashioned glass with a large ice cube, and garnish with an orange and a lemon twist. Two Fridays ago, I decided to make the Old Square by Danny Childs at Lacroix at The Rittenhouse Hotel in Philadelphia as "a rustic take on the Vieux Carré" via an August 2025 article in Imbibe Magazine. I probably skipped over this recipe last year since I did not have rancio sec, and I decided to do it regardless given their recommended substitution. I was also drawn in since a few months after that article, I saw Danny on a Campari Academy virtual session and then read his Slow Drinks book, and I would be seeing him talk in a week and a half at the USBG regional conference in Philadelphia. Oxidized fortified wines such as sherry have appeared in Vieux Carré riffs like Rhum with a Vieux and my Cocktail à la Salle, so a rye-Armagnac version seemed enticing. Once prepared, the Old Square gave forth lemon, orange, nutty grape, and anise aromas to the nose. Next, a grape-driven sip opened up into rye, brandy, nutty sherry, herbal, and anise flavors on the swallow.

inwood

2 oz Rye Whiskey (Old Overholt 86°)
1/2 oz Green Chartreuse
1/2 oz Café Lolita (Borghetti)
2 dash Orange Bitters (Angostura Orange)

Stir with ice, strain into a coupe glass, and garnish with a lemon twist. Two Mondays prior, I was lured by an unusual combination in the Inwood at Attaboy via online recipe flashcards. One friend on Instagram commented that they had not experimented with Chartreuse and coffee flavors, and I commented that "I have never seen it before. Cacao and hot chocolate, yes." Since Green Chartreuse can stand up to Fernet such as in the similarly structured Green Hornet, I figured that it would do alright with even a robust coffee liqueur. Once stirred and strained, the Inwood presented a lemon, coffee, and herbaceous aroma. Next, a roast-driven sip led into rye, coffee, and herbal flavors on the swallow with roast and orange elements coming through on the finish.

loose cannon

1 1/2 oz Bourbon (Evan Williams Bonded)
1/2 oz Punt e Mes
1/2 oz Fernet-Vallet (Fernet Branca)
1/2 oz Pierre Ferrand Dry Curaçao

Stir with ice, strain into a coupe glass, and garnish with an orange twist. Two Sundays ago, I opened up my copy of The Madrusan Cocktail Companion book and found the Loose Cannon by Brandon Bramhall at Last Saint in Charleston via the Manhattan section. The recipe made me think of the Alcazer from Pioneer of Mixing at Elite Bars: 1903-1933 (rye, Fernet, orange liqueur), and the combination of whisk(e)y, Punt e Mes, and those two liqueurs can be found in the Scotland the Brave. In the glass, the Loose Cannon shot off with orange, grape, and minty aromas. Next, caramel and grape notes on the sip stepped aside for Bourbon, herbal, bitter menthol, and orange flavors on the swallow.

fredo corleone

1 oz Rye Whiskey (Rittenhouse)
1 oz Jamaican Dark Rum (3/4 oz Coruba + 1/4 oz Smith & Cross)
3/8 oz Amaro Nonino
1 tsp Pedro Ximenez Sherry (Lustau)
2 drop Bittermens Mole Bitters
Stir with ice, strain into an old fashioned glass with a large ice cube, and garnish with an orange twist. Two Saturdays ago, I selected my copy of The Madrusan Cocktail Companion book and landed on the Fredo Corleone by Lorenzo Antinori at Bar Leone in Hong Kong circa 2023. Lorenzo named his creation after the incompetent middle son of Mafia Don Vito Corleone in the movie The Godfather. Overall, it reads like The Velvet Touch with the rye split here with Jamaican rum, and it would make a good pairing with Lorenzo's other tribute to that movie, the Luca Brazi. Once mixed, the Fredo Corleone gave forth an orange, caramel, and raisin bouquet to the nose. Next, dark grape and caramel notes on the sip slid into rye, funky rum, raisin, caramel orange, and herbal flavors on the swallow.

pitter patter

2 oz Rittenhouse Rye
1/2 oz Amontillado Sherry (Lustau)
1/2 oz Bigallet China-China (Amer Picon)
1/4 oz Maraschino (Luxardo)
1/8 oz Demerara Syrup
1 dash Angostura Bitters
1 dash Regan's Orange Bitters (Angostura Orange)

Stir with ice, strain into a cocktail coupe, and garnish with a cherry. Two Mondays prior, I returned to the sets of online recipe flashcards from the Patterson House in Nashville and landed on the Pitter Patter from their Summer 2024 menu. While the recipe card lacked the serving style, I was able to glean it from an Instagram reel. Overall, it was akin to a Brooklyn Cocktail with sherry instead of dry vermouth, and also similar to the Blue Collar given the two bitters as accents. In the glass, the Pitter Patter roused up a dark orange and nutty cherry aroma. Next, a semi-dry caramel and grape sip crossed into rye, nutty cherry, dark orange, and oxidized sherry flavors on the swallow.

casting spells

3/4 oz Rye Whiskey (Rittenhouse)
3/4 oz Strega
3/4 oz Maraska Maraschino
3/4 oz Lime Juice

Shake with ice, strain into a Nick & Nora glass (coupe), and garnish with a cherry. Recently on the Reddit Cocktail forum, user Mekmaann (same handle on Instagram) posted an intriguing drink called Casting Spells as a Final Ward-Last Word family member of sorts. I assumed that the name is a reference to Strega meaning "witch" in Italian. Up until this point, Strega and Maraschino have only been paired in two drinks that I have tried – one was Chris Hannah's 'Round Midnight and the other North of Sunset that I created mirroring Chris' drink making and naming style. In the glass, the Casting Spells put forth a nutty cherry and star anise aroma. Next, lime and cherry notes on the sip transfered into rye, anise, minty pine, cherry, and vanilla flavors on the swallow.

murder of crows

1 1/2 oz Rye Whiskey (Old Overholt 86°)
3/4 oz Grapefruit Juice
1/2 oz Nocino (Russo)
1/4 oz Cinnamon Syrup
1 dash Bitters (Angostura)

Shake with ice, strain into an old fashioned glass with ice, and garnish with a dehydrated lemon wheel (lemon twist). Two Mondays prior, I began perusing the KindredCocktails database and spotted the Murder of Crows created by New York City bartender Rafa Garcia Febles in 2017. The combination of walnut liqueur and cinnamon syrup is one that worked well in the Five Year Plan and The World is Yours and that I utilized in my Shadows & Tall Trees at Russell House Tavern back in 2013. In the glass, the Murder of Crows gathered around the nose with a lemon, walnut, and cinnamon bouquet. Next, grapefruit and roast notes on the sip opened up into rye, walnut, and cinnamon flavors on the swallow.

dirk diggler

1 1/2 oz Rye Whiskey (Rittenhouse)
1 1/2 oz Punt e Mes
1 tsp Fernet Branca
2 dash Peach Bitters (Fee Brothers)
1 dash Angostura Bitters

Stir with ice, strain into a coupe glass, and garnish with an orange twist. Two Saturdays ago, I opened up my copy of The Madrusan Cocktail Companion and spotted in the Manhattan section a recipe called the Dirk Diggler by Lorenzo Antinori at Bar Leone in Hong Kong circa 2023. Overall, it read like a Moto Guzzi (originally equal parts Booker's Bourbon and Punt e Mes) met a Toronto. In the glass, the Dirk Diggler gave forth an orange, peach, and minty aroma. Next, grape notes on the sip boogied on over to rye, bitter herbal, and menthol flavors on the swallow with a peach and clove finish.