Monday, September 30, 2019

havana smash

1/2 Lemon, in wedges or pieces (*)
6-8 leaf Mint
1 1/2 oz Gin (Beefeater)
1/2 oz Swedish Punsch (Kronan)
1/2 oz Apricot Liqueur (Combier)

Muddle lemon wedges, add mint, and lightly muddle again. Add the rest of the ingredients, shake with ice, and double strain into a double old fashioned glass. Fill with crushed ice and garnish with mint sprigs.
(*) A medium lemon that will generate around 3/4 oz juice when muddled.

Two Mondays ago, I returned home late and was in the mood for a final drink. Instead of looking up a novel recipe, I became inspired about the apricot-Swedish punsch combination in the Havana Cocktail via thinking about the Transatlantic Orbit's apricot-cinnamon duo a few nights before. I decided to take the Havana Cocktail in the direction of Eastern Standard's Smash with muddled citrus wedges and mint (opposed to the classic Smash which is a Mint Julep on a smaller scale).
The Havana Smash met the nose with a mint and lemon bouquet. Next, lemon and orchard fruit notes on the sip set up for gin's botanicals and Swedish punsch's funky rum flavors on the swallow with mint, tea, and fruity notes on the finish.

Sunday, September 29, 2019

mary garden (merry widow)

1 1/2 oz Dubonnet or Byrrh Quinquina (Dubonnet Rouge)
1 1/2 oz Noilly Prat Dry Vermouth
1/4 oz Luxardo Maraschino or Grand Marnier (Luxardo Maraschino)
1 dash Regan's Orange Bitters

Stir with ice, strain into a cocktail glass, and garnish with a cherry.

Two Sundays ago, I ventured into Frank Caiafa's The Waldorf Astoria Bar Book where I spotted a doubly named aperitif. The recipe was both the Mary Garden after a turn of the century opera singer and the Merry Widow after a 19th century operetta. Caiafa pointed out that Hugo Ensslin had a Merry Widow that was a fifty-fifty Dry Martini with New Orleans-style accents of Benedictine, absinthe, and Peychaud's Bitters that was quite delightful, and this is why I posted this recipe as the Mary Garden to help differentiate it (although Caiafa listed it as the Merry Widow).
The Mary Garden when made with Dubonnet and Maraschino curtsied to the nose with a grape and cherry and almost licorice aroma. Next, red grape and cherry on the sip bowed into darker cherry flavor on the swallow with a nutty finish.

Saturday, September 28, 2019

tango

1/4 wineglass Bacardi (1 1/2 oz Uruapan Charanda Blanco)
Juice 1 Lime (3/4 oz)
2 dash Curaçao (1/4 oz Pierre Ferrand Dry)
2 dash Grenadine (1/4 oz)
1 dash Picon (1/4 oz Torani Amer)

Shake with ice and strain into a cocktail glass.
Two Saturdays ago, I selected Pioneers of Mixing at Elite Bars: 1903-1933 from my bookshelf after returning home from my bar shift. There, I spotted the Tango; I had previously skipped over this recipe for it shares the name with a pair of more famous ones in the Savoy Cocktail Book called the apple brandy-based Tango #1 and the rum-based Tango #2 (Wayne Curtis' Cynar variation is a great modern riff of the latter). This Tango was an Daiquiri variation with a trio of sweeteners: curaçao, grenadine, and Amer Picon. Once prepared, this Tango danced to the nose with lime, orange, grapefruit, and grassy rum aromas. Next, a lime and berry sip led into a funky rum, bitter orange, and berry flavors on the swallow.

Friday, September 27, 2019

transatlantic orbit

1 oz Batavia Arrack (Van Oosten)
1 oz Navy Strength Gin (Hayman's)
3/4 oz Apricot Liqueur (Combier)
3/4 oz Cinnamon Syrup
1 oz Lime Juice
1 oz Grapefruit Juice
1 dash Angostura Bitters
1 dash Tropical Bitters (BitterCube Jamaican #2)

Whip shake, pour into a Tiki mug, fill with crushed ice, and garnish with a flaming lime shell (El Dorado 151) and a mint sprig.

Two Fridays ago, I was feeling a tropical mood, so I delved back into the Minimalist Tiki book and selected the Transatlantic Orbit by Seattle bartender Justin Wojslaw. Given the name and the structure, it reminded me a lot of a Jet Pilot with different spirits as well as apricot liqueur instead of falernum. Since apricot and cinnamon have proven to be a delightful pairing such as in the Southern Belle and Torino Zombie, I was excited to give this one a try. Here, the spirits were Batavia Arrack and gin, and I had previously had the former in a Jet Pilot riff called the Smoking Jet Pilot.
The Transatlantic Orbit launched to the senses with a mint and cinnamon bouquet. Next, the lime and grapefruit rotated around in the sip, and the swallow crossed over with gin's botanicals, Batavia Arrack's funk, and apricot and cinnamon flavors.

Thursday, September 26, 2019

two words

1 1/2 oz Laird's Bonded Apple Brandy
1 1/2 oz Zucca Rabarbaro (Sfumato)

Stir with ice, strain into a rocks glass with fresh ice, and garnish with a lemon twist.

Two Thursdays ago, I was in the mood for a nightcap, so I turned to Maggie Hoffman's Batch Cocktails for a recipe that I could adapt to a single serving. There, I was lured in by the Two Words by Adam James Sarkis of Milwaukee's Phoenix Cocktail Club. This two part drink featured apple brandy in a Black Manhattan of sorts with Zucca (although I utilized a similar rabarbaro: Sfumato), and this reminded me of other equal parters with Zucca such as the 11 + 2 / 12 + 1 with Green Chartreuse, Monopatin with Fino sherry, and The Dissenter with sweet vermouth (and a barspoon of cassis). Therefore, I set out to make this Black Marconi Wireless.
The Two Words spoke to the nose with lemon, apple, and earthy aromas. Next, roast notes with a hint of fruitiness on the sip finished with an apple, minty, orange, earthy, and bitter swallow.

Wednesday, September 25, 2019

belle of broadway

1/2 Rye Whiskey (1 1/2 oz Sazerac)
1/4 Crème Yvette (1/2 oz)
1/4 French Vermouth (1 oz Noilly Prat)

Stir with ice and strain into a cocktail glass; I added an orange twist.

After returning home from my whirlwind trip to Mexico late two Wednesdays ago, I was in the mood for a nightcap. Therefore, I selected the Pioneers of Mixing at Elite Bars: 1903-1933 as guidance. The recipe that opened my eyes was the Belle of Broadway which was most likely named after the 1926 American silent romantic drama film that perfectly fits into the book's time frame. I had previously made the sweet vermouth version called the Caboose and the Scotch (and orange bitters) version called the Lucifer, and it reminded me of the Lord Sheffield that I crafted in 2013 and named after the Sheffield Company of Connecticut who originally produced Crème Yvette.

The Belle of Broadway flirted with the nose with orange, dark berry, and violet aromas. Next, a currant-like note on the sip pranced into rye, blackberry, violet, and vanilla flavors on the swallow. Overall, surprising quite pleasant especially with my alteration of the liqueur and dry vermouth levels.

Monday, September 23, 2019

:: a big fish in a small pond ::

First published on the USBG National blog in February 2017 and adapted slightly here. The photos were taken at the Boston Bartender Collaborative's Speed Competition on July 10, 2011 at the second bar at Trina's Starlite Lounge that later became Parlor Sports.

Recently [in early 2017] on Reddit, an user expressed concern that he was losing motivation and needed inspiration. He felt that he had reached the pinnacle of bartending in his town, and he wanted to excel to the level of those he looked up to in the big city. Most of us have had that feeling that we could do better or become better. Sometimes it comes from being in a more isolated drink community but other times it can just stem from being in a small bar program with no one around to mentor you. I came up with a list of a few pointers on how to improve the situation on Reddit, and I expounded on those points here.

1. Start teaching and expand the knowledge.

One of the best feelings is to bring up the people around you and under you by sharing your knowledge and enthusiasm. This can raise your bar community or bar program, and the aphorism “a rising tide lifts all boats” applies. Indeed, it may soon be possible to learn from those that you taught especially if they are motivated to learn on their own or if they ask you questions that make you think and research.

2. Travel. Apply to be a Tales of the Cocktail apprentice or to attend Camp Runamok or the Bar Institute [now Portland Cocktail Week once again]. You will meet and learn from people who know more.

When I first ventured out to Tales of the Cocktail, I certainly was not under the impression that I had hit my peak or had learned all that I could in my city. I was not even a professional bartender yet but a writer and home enthusiast. However, it brought me into contact with writers better than myself and with bartenders who could teach me things that were not as available to me in my city and my position. I have yet to be a Tales of the Cocktail apprentice, but Camp Runamok and Portland Cocktail Week (the predecessor of the Bar Institute) were great experiences in meeting a wide variety of bar professionals with many viewpoints, specialties, and techniques to share. And the learning kept up after those events through the connections I have made at those events.

3. Read. The books are out there to guide you. Shoot for 2 per month if you can.
There is time to read if you look for it. Before you leave for work, during meals, when you get to work early and have time to kill, and on your days off are all times when you can read. I try to mix things up with books on history, spirits, beer, hospitality, recipes, technique, and theory. Sometimes the book titles come recommended by peers and other times it is Amazon suggesting similar titles or it is an article that mentions book titles. And other times, it comes from me web searching for guidance in a specific field. Regardless of where the respective authors are located, their teachings will be close at hand and wherever you go (assuming you remember to put the book in your bag).

4. Write. Take yourself to the next level by becoming a scholar. Research and get your voice and name out there.

Both writing and giving talks have been some of the best ways to push myself into learning more about a topic. In many ways the process also harkens back to the first point of teaching and improving the level of your environment. But if part of the envy of those big name city bartenders is notoriety, then getting your name on a byline or book spine may help.

5. Stage or guest bartend at other places. Change of environment and coworkers even temporarily will teach you. Or have others guest bartend or stage at your bar.

This is something that I wish I let myself follow more. At one point, I considered doing a stage a month, but I never pushed myself to follow through. However, doing guest shifts such as at a Tiki or blender drink night let me learn about how different bars are set up and allowed me to focus on a drink style that was not my normal specialty. The guest shifts and staging also help in learning about other philosophies and techniques. And on a short staffed night at a previous job, my owners allowed me to bring in a guest bartender to help me out for the night. The bartender I selected was a sales rep who left bartending and missed it. While having an extra pair of hands back there was surely an asset, the true value was that he had wisdom from some of the finest spots in town where he had been behind the stick and he was able to problem solve issues I was facing and share his knowledge about the trade. I think about this every shift when I insert a fish tub lid to keep my cubed ice separated from my crushed ice in the well.

6. Move. I put this last after you've exhausted the others.

I do not have the luxury to just get up and move to a new state as freely as a young, single bartender might, but the option is there if need be. Move can be as simple as changing the bar or restaurant you work in or changing the city or state as well. There are so many ways of improving yourself within your position and location, but the world is a big one and so full of opportunities. And many of those opportunities will expose you to new challenges that can lead to self-improvement and learning. It may also lead you to understand that bartending is a combination of technique and hospitality, and some of the best recipe- and technique-driven establishments that get the press do it at the expense of some aspect of hospitality. Sometimes life is better when the simple things make your guests happy, and often there is a happy medium between the two.

Sunday, September 22, 2019

rackateer julep

1 sprig Mint
2 oz Bols Genever
1/2 oz Smith & Cross Rum
1 tsp Vanilla Syrup
1 tsp Demerara Syrup

Rub the mint inside of a Julep cup and discard. Add the rest of the ingredients plus crushed ice, and stir to mix and chill. Top with crushed ice, and garnish with a dash of Bitter Truth Aromatic Bitters (Jerry Thomas Decanter) and a mint bouquet.

Two Sundays ago, I selected the Death & Co. Cocktail Book for the evening's refreshment after having neglected that well picked over tome since late 2018. One of the recipes that I had not made yet was Jessica Gonzalez's 2009 Rackateer Julep that featured Genever as the base that was accented by funky Jamaican rum and vanilla syrup. I had previously made the Gin Julep from Jerry Thomas' 1862 with Genever since gin generally meant Holland or Dutch "gin" back then, and I had been served a Genever with Wray & Nephew number, the Electrical Storm Julep, at No. 9 Park several years ago that took things in a different direction.
Here, the Rackateer Julep met the nose with a mint, cinnamon, and clove bouquet. Next, a malty sip gave way to Genever's malt wine and botanicals leading into Smith & Cross' funky rum flavors with a vanilla and mint finish.

Saturday, September 21, 2019

highlander

2 oz Johnnie Walker Red Scotch (Cutty Sark Prohibition)
1/2 oz Benedictine
2 dash Angostura Bitters

Stir with ice, strain into a cocktail glass, and garnish with a lemon twist.

Two Saturdays ago, I returned home late after a long shift at work. I was in the mood for something strong yet easy and quick to make, and I recalled seeing the Highlander mentioned in Clair McLafferty's The Classic & Craft Cocktail Recipe Book when I made the Indian Summer. Clair pointed me in the direction of Paul Harrington's 1998 Cocktail: The Drinks Bible for the 21st Century, and that book indicated that it was one of Paul's original recipes. Paul explained, "My father's drink was the Rusty Nail which was too sweet for me, and I was intrigued by French liqueurs after my experience with Chartreuse. I was looking for some more applications for the Benedictine that sat on our top shelf." I was attracted for it reminded me of the rye-based Frisco that I tinkered with in the Call of the Wild.
The Highlander marched to the nose with lemon oil over peat smoke aromas. Next, a rich and malt sip climbed towards a smoky Scotch, chocolate-herbal, allspice, and clove swallow.