old news

1 oz Gin (Tree House Percy)
1 oz Amaro Montenegro
3/4 oz Lemon Juice
3/4 oz Simple Syrup
2-3 slice Cucumber
1 pinch Sea Salt (3 drop 20% Saline)

Muddle cucumber in syrup, add rest of ingredients, shake with ice, double strain into a coupe glass, and garnish with a cucumber slice. Two Wednesdays ago, I returned to the online recipe flashcards for Idlewild in Charlotte, North Carolina, to make a cocktail called the Old News that I had saved until I had cucumber in house. Given the name and structure, it was perhaps a variation on the Too Soon? with Montenegro and cucumber in place of Sam Ross' Cynar and orange slices. The drink itself is mentioned in a 2025 Yelp review as being recommended for folks liking gin and bitter, although the flashcard set was one that I found before that in 2024. Moreover, the Montenegro-cucumber aspect reminds me of the Manhattan riff, the Cobble Hill, but this is in a very different direction given the citrus. Once prepared, the Old News reported a cucumber, pine, and clementine aroma to the nose. Next, lemon and vegetal notes on the sip revealed juniper, orange, and cucumber-herbal flavors on the swallow.

shakedown street

2 oz Tequila (Fosforo)
1/2 oz Aperol
3/4 oz Lemon Juice
1/4 oz Agave Syrup
1 slice Cucumber

Muddle cucumber in syrup, add rest of ingredients, shake with ice, double strain into a cocktail glass (old fashioned glass with ice), and garnish with a cucumber slice. Two Tuesdays ago, I was looking through The Madrusan Cocktail Companion and spotted the Shakedown Street by Rhiannon Enlil. Since Rhiannon was our first Cure bartender back in 2009, I followed my hunch and opened up the Cure: New Orleans Drinks And How to Mix'em book. There, it described how Rhiannon riffed on one of Maks Pazuniak's drinks called the Deadhead that was got its name from being herbaceous enough that it "tasted like some hippie shit," and perhaps that is why she named this one after a Grateful Dead song. Rhiannon kept the ratio but changed things around. "Cucumber and Aperol want to be together; cucumber and tequila want to go together... it came together naturally." The drink stood out due to the cucumber and Aperol combination; I first learned about how the two can conjure up watermelon flavors in the 3185, and I observed it in other drinks like the Sunday Service and Ghost Hardware. Once prepared, the Shakedown Street proffered a cucumber and watermelon bouquet to the nose. Next, lemon and watermelon notes on the sip transitioned into tequila and orange flavors on the swallow. After I made the drink, I realized that I kept the serving style from The Madrusan Cocktail Companion without noticing that the Cure book calls for it to be strained into a coupe. 

smoking gun

1 1/2 oz Mezcal (Fosforo Ensemble)
1/2 oz Aquavit (Linie)
3/4 oz Lemon Juice
3/4 oz Simple Syrup
2 slice Cucumber

Muddle cucumber in syrup, add rest of ingredients, shake with ice, double strain into a coupe glass, and garnish with a fresh cucumber slice. Two Mondays ago, I fired up the Bartender's Choice Volume 3 app and looked for a recipe to celebrate my garden's first cucumber of the season. There, I landed on the Smoking Gun by Gabriel D'Alessandro at London's Satan's Whiskers in 2025. The bar's Instagram had a slightly different ratio of 1 oz mezcal, 1/2 oz aquavit, and 2/3 oz for both the lemon juice and simple, but I used the app's recipe better suited to American jiggers. While I have had a few mezcal-cucumber drinks like the Mexican Razor Blade and the Disco Nap, the only aquavit-cucumber recipe that I have tried is the Balsa Raft at Vandaag, a Manhattan bar that focused on Genever and aquavit. Gabriel recommended on Instagram, "If you can get hold of Aalborg Dild Aquavit, the dill freshness sets things off nicely." With Linie Aquavit though, the Smoking Gun revealed itself with a vegetal, cucumber, and caraway aroma. Next, lemon coupled with a greenness on the sip delved into vegetal, smoke, cucumber, and spice notes on the swallow.

left-handed banana

1 1/2 oz Bourbon (Evan Williams Bonded)
1/2 oz Campari
1/2 oz Sweet Vermouth (Alessio)
1/2 oz Banana Liqueur (Tempus Fugit)
2 dash Chocolate Bitters (Bittermens Mole)

Stir with ice, strain into an old fashioned glass with ice, and garnish with a cherry. Two Sundays ago, I spotted a curious recipe on the Reddit Cocktails forum created by user The_Xozz called the Left-Handed Banana. The recipe was a riff on Sam Ross' Left Hand and named after a legendary item in the RuneScape game. After I made it, someone reminded me of Anvil's Banana Boulevardier, and I thought: just like a Left Hand is a Boulevardier with chocolate bitters and served up, this is its own drink. Unlike the standard Left Hand that opts for an orange twist and a cocktail coupe, this recipe calls for a cherry and an old fashioned glass with ice (the Banana Boulevardier recipe gives the option of either coupe or rocks glass with ice serving styles, both with an orange twist). Once prepared, the Left-Handed Banana conjured up a cherry and fruity aroma. Next, grape and caramel notes on the sip developed into Bourbon, bitter orange, and banana flavors on the swallow with a chocolate finish.

skylarking

1 oz Rhum JM Gold Rhum Agricole (Clement VSOP)
1 oz Rhum JM Blanc Rhum Agricole (100°)
3/4 oz Lime Juice
3/4 oz Don's Spices (3/8 oz Vanilla Syrup + 3/8 oz Hamilton's Allspice Dram)
1/4 oz Hibiscus Syrup
3 dash Angostura Bitters
1 dash Absinthe (8 drop St. George)

Build in a Pearl Diver glass (Collins), fill with crushed ice, and swizzle to mix and chill. Top with crushed ice and garnish with mint sprigs and an orchid (ornamental pea blossoms). Two Saturdays ago, I returned to the online recipe flashcards for the Papaya Club at the Conrad in Orlando where I had found the Yellow Cloud, and I picked another of Paul McGee's creations, the Skylarking. That source provided the description, "This swizzle embodies all of the flavors found all around the Caribbean. Two rums made from fresh cane juice provide the backbone for this classic swizzle recipe with lots of warming spice and floral notes." I then found a photo on Scott French's Instagram in May 2025 that confimed the glassware and included the garnishes, although that drink was way more red in hue than mine. Given Paul's names many of his drinks after musical references such as the Music that Stays on for Extra Days, my guess is that he dubbed this after the 1986 album by the British indie rock group XTC. Once prepared, the Skylarking soared to the nose with mint over red fruit, floral, and grassy aromas. Next, lime and red fruit notes on the sip opened up into grassy rum, allspice, vanilla, clove, and anise flavors on the swallow.

savannah slammer

1 1/2 oz Bourbon (Evan Williams Bonded)
3/4 oz Peach (Mathilde Peche Liqueur)
1/2 oz Cynar
3/4 oz Lemon Juice
1 splash Steen's Syrup (1/8+ oz Demerara)

Whip shake with crushed ice, pour into a double old fashioned glass, fill with crushed ice, and garnish with mint and freshly grated cinnamon. Two Fridays prior, I decided to make the Savannah Slammer created at Good Company in St. Louis from their Spring 2025 menu that I had uncovered in a set of online recipe flashcards. This drink that still resides on their current menu reads like a Georgia Julep crossed with a Cynar Julep in a mint as a garnish-only Smash. Once assembled, the Savannah Slammer awoke the senses with a mint and cinnamon aromas over peach. Next, lemon with a vague orchard fruit note on the sip blossomed into Bourbon, peach, and funky herbal flavors on the swallow.

golden boy

1 oz Bourbon (Evan Williams Bonded)
1 oz Amaro Nonino
1/2 oz Amontillado Sherry (Lustau)
1/2 oz Cocchi Americano

Stir with ice, strain into an old fashioned glass with ice, and garnish with a lemon twist. Two Thursday ago, I fired up the Bartender's Choice Volume 3 app and selected the Golden Boy by Jon Nutter at Manhattan's Attaboy in 2024. I recognized the bartender's name as being the creator of Hamilton the Hipster when he was at Brooklyn's Grand Army in 2021, so I was curious about trying this one especially with the sherry-Cocchi Americano pairing. Moreover, the recipe itself reminded me of another drink on that app called the Brigantine with rye instead of Bourbon and no sherry element. Once prepared, the Golden Boy offered up lemon, grape, and orange aromas to the nose. Next, caramel and grape on the sip pivoted into Bourbon, nutty grape, orange, and grapefruit flavors on the swallow.

locksmith

1 1/2 oz Rye Whiskey (3/4 oz Rittenhouse + 3/4 oz Old Overholt 86°)
1 oz Cocchi Americano
1/2 oz Islay Scotch (Ardbeg 10 Year)

Stir with ice, strain into a coupe glass, and garnish with a lemon twist. Two Wednesdays prior, I reached for my copy of The Madrusan Cocktail Companion book, and I landed on the Locksmith by Ingrid Archer and David Molyneux at The Everleigh in Melbourne circa 2018 in the book's Manhattan section. Scotch and either Lillet or Cocchi Americano seem to go rather well together in classics such as in the Prince Edward, and there is a very similar cocktail to the Locksmith in the NoMad Cocktail Book, the North Sea Oil, with aquavit instead of rye and a quarter of the Cocchi Americano swapped for orange liqueur. Once assembled, the Locksmith opened up the aroma with a lemon, peat smoke, and grapefruit bouquet. Next, white grape, orange, and malt notes on the sip unlocked rye, smoky Scotch, apricot, and grapefruit pith flavors on the swallow.

pineapple peat

1 1/2 oz Great King Street Glasgow Blend (Ardmore Traditional Cask)
1 oz Pineapple Juice
3/4 oz Martelletti Dry Vermouth (Noilly Prat)
1/2 oz Lemon Juice
1/2 oz Pineapple Syrup

Whip shake with crushed ice, pour into a bucket glass, and top with crushed ice. Two Tuesdays ago, I returned to the online recipe flashcards for the Liholiho Yacht Club in San Francisco that I last utilized in November with the Spice Oddity. Here, the Pineapple Peat called out to me and made me think of a Scotch Algonquin – a drink that I made a lot the summer of 2007 of rye, pineapple juice, and dry vermouth. The citrus aspect was something that I saw in the dry vermouthless Far East Algonquin by Ryan Fitzgerald of San Francisco's Beretta at a Tales of the Cocktail 2011 happy hour, but here, the pineapple aspect is amplified. As for a timeframe, Yelp has photos of the drink at the Liholiho Yacht Club as early as 2015, and a 2015 blog post has a photo and specifies the Scotch. It is unclear if it was named after a Pineapple Pete character: the two most famous ones, a Fortnight outfit and Six Flags mascot, came after 2015, but there are some instances like the restaurant in St. Marten that came before that. In the glass, the Pineapple Peat came forth with a peat and pineapple aroma true to its name. Next, lemon, malt, and pineapple notes on the sip switched into smoky Scotch, herbal, and pineapple flavors on the swallow.

mai fernet has a first name

1 oz Fernet Branca
1 oz White Rum (2/3 oz Hamilton White 'Stache + 1/3 oz Wray & Nephew)
1 oz Lime Juice
1/2 oz Orgeat
1/2 oz Curaçao (Pierre Ferrand)

Whip shake with crushed ice, pour into a double old fashioned glass, fill with crushed ice, and garnish with a mint bouquet (chocolate mint). Two Mondays ago, an intriguing drink appeared on my Instagram feed called Mai Fernet Has a First Name. It was created by Jason Dolley as a Mai Tai riff that is part of his "Will it Fernet?" series where he replaces a key ingredient with Fernet Branca. The Fernet-orange liqueur aspect reminded me of the century's old Alcazer where I learned how well the two pair, and Fernet-orgeat have paired well together in a number of cocktails including the Smoke Break. For a white rum, my mind went to Wray & Nephew for this recipe reminded me of the Bikini Atoll, but since Jason utilized the more mild Planteray Three Star Rum blend, I split the base for I did not want the funky Jamaican rum to take too big of a role. Once prepared, my senses were greeted with a mint, caramel, orange, and menthol aroma. Next, a creamy lime, caramel, and orange sip was displaced by funky rum, minty menthol, earthy, and orange flavors on the swallow. Overall, I was surprised at how Fernet seemed to subdue the orgeat's presence in the mix, but I was generally pleased at how Fernet worked in this combination.

tell me more

1 oz Bertoux Brandy (Courvoisier VS Cognac)
1 oz Russell's Reserve Bourbon (Evan Williams Bonded)
1 oz Oloroso Sherry (Lustau)
1/2 oz Ginger Syrup
2 dash Angostura Bitters
1 spray Nux Alpina Walnut Liqueur (20 drop Russo Nocino)

Build in a Julep cup, add crushed ice, and swizzle to mix and chill. Top with crushed ice and garnish with mint and more Nux Alpina (10 drop Russo Nocino). Two Sundays ago, I ventured back to online recipe flashcards for Chicago's The Violet Hour and spotted a good use of mint in the Tell Me More from their Winter 2022 menu. With the sherry, ginger, and walnut aspect, I could see why it would be a more cold weather-styled Julep, but I figured that it could work in early July as well. On the bar's website advertising their Bartender's Manifesto book, there is a photo labeled Tell Me More of a drink served in a Julep cup garnished with a dried lime wheel (said recipe is not in that tome though). I know from Toby Maloney's second book, The Classic Cocktail Sessions, that he does not see the point to dried garnishes but it might have been for the photo shoot. Nutty oxidized sherries like Amontillado and Oloroso have been paired with walnut liqueur with great success in recipes like the Bamboozled and Towser the Mouser and I utilized it in my Folly Ruins, so I set off to crush some ice. Once prepared, the Tell Me More shared a mint and walnut aroma. Next, a grape-driven sip wandered towards brandy, Bourbon, ginger, nutty grape, walnut, and allspice flavors on the swallow.

shotgun wedding

1 1/2 oz Mezcal (Fosforo Ensemble)
3/4 oz Amaro Ciociaro
1/2 oz Apricot Liqueur (Rothman & Winter)
1 dash Chocolate Bitters (Bitter Truth)

Stir with ice, strain into a double old fashioned glass with ice (* see text), and garnish with a lemon twist. Two Saturdays prior, I fired up the The Bartender's Choice Volume 3 app and opted for the Shotgun Wedding by Chris Hughes at Manhattan's Attaboy in 2022. The combination seemed familiar for it appeared with Scotch and a much lower quotient of apricot liqueur in Held in Contempt also created at Attaboy. In the glass, the Shotgun Wedding prodded the nose with a lemon, apricot, and vegetal aroma. Next, a caramel-driven sip from the Ciociaro blossomed into smoky vegetal and bitter orange-apricot flavors on the swallow with a chocolate finish. As the ice melted, the drink began to fall apart as the flavors subsided, and perhaps this would be better served up in a coupe; this did not happen in the whisky-based Held in Contempt, so perhaps this was due to the lighter-style mezcal that I utilized.

mojave punch

1 oz Dark Jamaican Rum such as Coruba (Coruba)
1 oz Silver Puerto Rican-style Rum (Hamilton White 'Stache)
1 oz Pineapple Juice
1 oz Orange Juice
1/2 oz Lime Juice (3/4+ oz) (*)
1/2 oz Passion Fruit Juice
3/4 oz Hibiscus Syrup (**)

Whip shake with crushed ice, pour into a pilsner (collins) glass, fill with crushed ice, and garnish with a paper umbrella skewering a cherry.
(*) Even at a heavy 3/4 oz, the drink was still a bit sweet so perhaps 1 oz would be a good lime juice amount. Over perhaps 1/2 oz lime juice + 1/2 oz lemon juice to keep the acidity where I want it but with the remainder as a more neutral citrus juice.
(**) I did a hibiscus tea bag in 4 oz boiling water for 5 minutes. After removing the tea bag, I added an equal weight of sugar and stirred to dissolve. Two Fridays ago, I returned to the 2015 set of online recipe flashcards from the Tonga Hut in Los Angeles where I had found the Bermuda Dunes and selected the Mojave Punch. I was able to find photos of the drink at the Tonga Hut in blogs from 2017 and 2022 and multiple photos on Yelp. The recipe came across like a gussied up Hurricane with extra juices (the original Hurricane had fassionola syrup which some recipes include hibiscus); however, it also read a bit sweet so I upped the lime juice a bit (but perhaps not as much as I should have (see note above)). Once prepared, the Mojave Punch proffered a cherry, passion fruit, and floral bouquet to the nose. Next, caramel, lime, and orange notes on the sip shifted into funky rum, pineapple, passion fruit, and red berry-herbal flavors on the swallow. If you made a batch of hibiscus syrup, I recommend using some of the remainder on Aaron Butler's Koki'o Punch, Brick & Mortar's Velvet Rope, and my Red Skies at Night from Loyal Nine.

silk stockings

1 1/2 oz Aged Martinique Rhum (Rhum Clement VSOP)
1 oz Pineapple Juice
3/4 oz Lemon Juice
1/2 oz Pierre Ferrand Dry Curaçao
1/2 oz Orgeat
1/4 oz Vanilla Syrup

Whip shake, pour into a Zombie glass, top with crushed ice, and garnish with a lemon wheel and mint sprig. Two Thurdays ago, I went out shopping for a bottle of aged rhum agricole to make a few recipes that I had stored up. The first one I set off with was Justin Wojslaw's Silk Stockings from his Coconuts & Carnage book which looked like an agricole Mai Tai crossed with a Gold Frond. Once prepared, the Silk Stockings gave forth a mint and lemon aroma over a nutty, orange, and rhum funk one. Next, a creamy lemon, pineapple, and orange sip slid into caramel, grassy rhum, almond, orange, and vanilla flavors on the swallow.

mephisto's mai tai

1 oz Planteray OFTD Overproof Rum (perhaps sub a Demerara 151°)
1/2 oz Laphroaig 10 Year Scotch (or other smoky Scotch)
1/2 oz Amaro Sfumato (or other Rabarbaro like Zucca)
1 oz Lime
1/2 oz Orgeat
1/2 oz Pierre Ferrand Dry Curaçao (or other Orange Liqueur)

Whip shake with crushed ice, pour into a double old fashioned glass or ceramic mug, fill with crushed ice, and garnish with mint sprigs and a spent lime shell. As I was writing up the blog post for the Mai Tai 3000 and realizing that I had never had a Mai Tai riff with smoky Scotch in it before, I became inspired to create a recipe to take the concept a step further. I took the smoky and burly OFTD-Laphroaig-Sfumato combination that worked well in my Brimstone Colada and kept everything else in line with a classic Mai Tai build. For a name, I dubbed the creation after the devil from the Faust tale, Mephistopheles, for a little alliteration and then shortened it to his nickname. Once prepared, the garnishes in Mephisto's Mai Tai offered up mint and lime aromas over the drink's peat smoke and smoky herbal ones. Next, lime, roast, and orange notes on the sip collected the swallow of funky rum, smoky Scotch, bitter herbal, and nutty flavors with a bright lime and smoke finish.

mai tai 3000

1 oz Empress 1908 Gin (Tree House Percy)
1/2 oz Rum Fire Overproof White Jamaican Rum
1/2 oz Planteray Stiggins' Fancy Pineapple Rum
1/4 oz Demerara 151° Proof Rum (Diamond Reserve)
1/4 oz Laphroaig 10 Year Scotch
1 oz Lime Juice
1/2 oz Pierre Ferrand Dry Curaçao
1/2 oz Orgeat
1/4 oz Maple Syrup
1 dash Kahuna Kevin Aromatic Bitters (DeGroff Pimento)
1 spritz Tahitian Vanilla (1 dash Savoy Society Orange Vanilla)

Whip shake with crushed ice, pour into a Mai Tai or double old fashioned glass, fill with crushed ice, and garnish with mint sprigs and a spent lime shell. Two Tuesdays prior, I opened up my collection of Kahuna Kevin's Tiki Cocktails books and spotted Kahuna Kevin's 2018 creation, the Mai Tai 3000, in the fourth volume. There, it had the subtitle of "Voted best non-traditional Mai Tai of the near dystopian future," and I was up to the challenge of combining 11 ingredients, 2 garnishes, and a few handfuls of freshly crushed ice to see this through. While I have tried gin in a Mai Tai riff before in the Catamaran and the Blanche DuBois, I have not tasted a Mai Tai riff with a smoky Scotch aspect to it. After an epic build session, the Mai Tai 3000 commanded a mint and lime aroma over caramel and smoke. Next, a creamy lime and orange sip was displaced by juniper, rum funk, pineapple, and maple flavors with an allspice and smoke finish.

hotel de ville

1 1/2 oz Calvados (Morin Selection)
1/2 oz Smith & Cross Rum
1/2 oz Amaro Nardini

Stir with ice, strain into an old fashioned glass with ice, and garnish with an orange twist. Two Mondays ago, I opened up The Bartender's Choice Volume 3 app and selected the Hotel De Ville by Zack Gelnaw-Rubin at Manhattan's Lion Lion circa 2019. The name Hotel De Ville translates to "city hall," and the term often refers to the magnificent one in the 4th arrondissement of Paris. I was familiar with the combination of spirit modified by Nardini which has appeared with Bourbon in the Closing Argument (plus chocolate bitters) and with rye in the Defeat by Greater Things (plus orange bitters) and the Mayor's Lament (plus a trio of bitters). Moreover, there was also a somewhat similar recipe spirits-wise with the Dark Horse with a Jamaican rum-Calvados pairing (albeit a non-funky rum) accented by Nardini and orange liqueur. Once prepared, the Hotel De Ville proffered an orange, caramel, apple, and rum funk bouquet. Next, caramel notes on the sip led into apple, funky rum, gentian, licorice, and mint flavors on the swallow.

wry grin

1 1/2 oz Rye Whiskey (Rittenhouse)
1/2 oz Fernet Branca
3/4 oz Simple Syrup
4 wedge Lemon (1/2 Lemon in quarters)
6-8 leaf Mint

Muddle lemon wedges and mint. Add rest of the ingredients, shake with ice, strain into an old fashioned glass, fill with crushed ice, and garnish with a mint bouquet. Two Sundays ago, I reached for my copy of The Madrusan Cocktail Companion book and spied the Wry Grin by Sam Ross at Manhattan's Milk & Honey circa 2010 in the Smash section. Overall, it reminded me a little of the Job's Lament which did the rye-Fernet combination in Mint Julep form but with Amaro di Angostura instead of the simple and lemon here. In the glass, the Wry Grin greeted the senses with fresh mint over rye and menthol aromas. Next, lemon with a hint of caramel on the sip revealed rye whiskey, caramel, and minty-menthol flavors on the swallow.

malua

2 oz Reposado Tequila (Cimarron)
1/2 oz Giffard Crème de Peche (Mathilde)
1/2 oz Dry Curaçao (Pierre Ferrand)
1 oz Orange Juice
1/2 oz Lime Juice
1/4 oz Passion Fruit Syrup
8-10 leaf Mint

Shake with ice, strain into a double old fashioned glass (ceramic mug), and garnish with a lime wheel and mint bouquet. Two Saturdays ago, I was in the mood for something tropical, so I looked to my notes from my online recipe flashcard research and selected the Mālua at the Skull & Crown Trading Co. in Honolulu. A 2022 Yelp review made reference to it in the text and included a drink photo as well. Overall, the combination of mint, peach, and lime took the drink into Missionary's Downfall territory but with a tequila (and no pineapple and honey) spin on it. Here, the Mālua opened up with lime and mint aromas from the garnishes over peach and tropical ones. Next, lime, orange, and passion fruit notes on the sip were washed away by agave, peach, orange, and mint flavors on the swallow.

race to the bottom

1 oz Rye Whiskey (Rittenhouse)
1 oz Applejack (Laird's Bonded)
1/2 oz Carpano Antica Sweet Vermouth (Alessio)
1/2 oz Amaro Braulio
1/8 oz Grenadine

Stir with ice, strain into an old fashioned glass with ice, and garnish with an orange twist. Two Fridays ago, I got home from work and opened up the Bartender's Choice Volume 3 app and selected the Race to the Bottom by Chris Hughes at Manhattan's Attaboy circa 2021-22. Grenadine historically has paired well with amari such as with Fernet in the Jim Rose, Cynar in the Giuseppe's Lady, and Amer Picon in the Jayco, but I have never previously had it paired with Braulio. In the glass, the Race to the Bottom started with an orange, grape, and dark berry aroma. Next, grape and berry notes continued on into the sip where they were chased by rye, apple, pine, herbal, and red berry flavors on the swallow.

rest in pieces of eight

1 1/2 oz Cynar
1/2 oz Smith & Cross Rum
3/4 oz Lemon Juice
>1/2 oz Ginger Syrup
1/4 oz Licor 43
>1/4 oz Demerara Syrup
1 Egg White

Shake one round without ice and one round with ice. Strain into a Collins glass with ice (double old fashioned with a large ice cube) pre-rinsed with Cruzan Black Strap Rum. After making a fresh batch of ginger syrup, I perused Kindred Cocktails and spotted the Rest in Pieces of Eight by Doug Monroe at Nashville's The Patterson House that he entered into the database in 2012. The name seems to be a play on the pirate phrases "rest in peace" and "pieces of eight." Given that aspect, I expected some overlap with the tropical classic Pieces of Eight, but there was only rum and lemon in common. Once mixed, the Rest in Pieces of Eight put forth a molasses aroma from the black strap rum rinse. Next, a creamy caramel and lemon sip subsided into funky rum, funky herbal, ginger, and vanilla flavors on the swallow.

sea air on sunday

1 1/2 oz Johnnie Walker Black Scotch (1 1/4 oz Famous Grouse + 1/4 oz Laphroaig 10 Year)
1/2 oz Amaro Montenegro
1/4 oz Domaine de Canton (Barrow's Intense Ginger Liqueur)
3/4 oz Lime Juice
1/4 oz Demerara Syrup

Shake with ice, strain into an old fashioned glass with ice, and garnish with candied ginger on a pick. Since I had half a lime left over from the night before, I looked through my collection sourced from online recipe flashcards and landed on the Sea Air on Sunday from The Butcher Chef in Toronto via a 2021 set. I was able to find a menu photo on GoogleMaps from around that time period, but most of the photos from that restaurant were of the food not drink. The recipe came across like a Penicillin with Amaro Montenegro and ginger liqueur for the honey and ginger syrups, respectively. Moreover, the concept made sense as a Penicillin riff for sea air has been romanticized historically as a cure-all during the 18th and 19th centuries. Indeed, Jane Austen wrote in Sanditon that sea air and bathing could cure "every disorder of the stomach, the lungs, or the blood." Once prepared, the Sea Air on Sunday misted the nose with a spray of ginger, peat smoke, and caramel orange aromas. Next, lime and a hint of caramel on the sip receded into smoky Scotch, clementine, and ginger flavors on the swallow.

no. 39

1 1/2 oz Cognac (Courvoisier VS)
3/4 oz Pineapple Syrup
3/4 oz Lime Juice
1/2 oz Green Chartreuse

Shake with ice and strain into a coupe glass. Serving it in an old fashioned glass on crushed ice was recommended to provide a drier experience (here, served up). Two Tuesdays prior, I looked through the recipes from the Kindred Cocktails database that I had bookmarked and landed on the No. 39. The recipe was crafted by New York City bartender Rafa Garcia Febles in 2013, and the name reminded me of the menu convention at the old Hungry Mother in Cambridge, Massachusetts, with drinks like No. 64 and No. 43. The recipe itself made me think of a lime and pineapple syrup riff on the lemon, simple syrup, and Angostura Bitters Champs Élysées though. Once prepared, the No. 39 donated a pineapple and herbaceous bouquet to the nose. Next, a lime-driven sip set up Cognac, herbaceous, and pineapple flavors on the swallow.

high plains julep

1 oz Rye Whiskey (Rittenhouse)
1/2 oz Amaro Braulio
1/2 oz Amaretto (Luxardo)
6-8 leaf Mint

Muddle mint with the liqueurs in a Julep cup, add the rest of the ingredients, top with ice, and garnish with a mint bouquet. Two Mondays ago, I got home late from a series of industry events and felt like enjoying a Julep to round out the evening. Therefore, I reached for my copy of The Madrusan Cocktail Companion and became intrigued by the High Plains Julep by Travis Hernandez at Half Step in Austin circa 2017. There was something about amaretto juxtaposed with Braulio that I needed to experience to understand, and I also have a lot of Luxardo Amaretto since shortly after buying a bottle, I was tasked with developing a recipe with Luxardo and Hotaling products and was sent another bottle for R&D. Checking back, "shortly" was two years ago (replacing my 15+ year old bottle of Disaronno that I finished a month before), but that does sum up my general use of that liqueur. There are a few instances on the blog of bitter liquids pairing with amaretto with the most extreme being a hefty slug of Angostura Bitters in the Sock Drawer Sexuality, but most are with softer amaro such as two that I created – the Bar Boss with Cynar and the Am-Am Sour with Averna. While the closest thing to amaretto meeting mint was in the garnish to the Caribbean Punch, Braulio has been paired before with mint including two other Juleps – the Ducati and the Thieves in the Night. So I set to work (and got one step closer to not dying with two bottles of amaretto bottles in the house), and the High Plains Julep offered up mint aromas over almond and stone fruit pit ones. Next, caramel on the sip expanded into rye, almond, minty, bitter herbal, and pine flavors on the swallow.

starward swizzle

2 oz Hamilton's Lost Voyage Rum (1 oz Hamilton's 86° Demerara River + 1/2 oz Monymusk Gold + 1/2 oz Smith & Cross)
3/4 oz Lime Juice
3/4 oz Pineapple Juice
1/2 oz Falernum (Velvet)
1/2 oz Cinnamon Syrup
2 dash Peychaud's Bitters
1 dash Pernod (12 drop Pernod Absinthe)

Build in a Collins glass, fill with crushed ice, and swizzle to mix and chill. Top with crushed ice and garnish with a mint bouquet, dehydrated lime wheel (omit), and freshly grated nutmeg. Two Sundays ago, I decided to make a drink called the Starward Swizzle from Strongwater in Anaheim that I spotted in a set of online recipe flashcards. In researching the drink, I found a web-based set of recipes put out by the rum that included the spec verbatim. Since Lost Voyage Rum is described as a blend of rum from Guyana and Jamaica's Worthy Park, I tried my best to replicate the flavor profile with a trio of rums. Here, the rum, cinnamon, falernum, lime, bitters, and absinthe made me think of the Jet Pilot but with pineapple and Peychaud's instead of the classic's grapefruit and Angostura. In the glass, the Starward Swizzle emitted a woody spice, mint, and rum funk aroma. Next, pineapple and lime notes on the sip opened up into funky rums, pineapple, cinnamon, and anise flavors on the swallow.

old timber

2 oz Bourbon (Evan Williams Bonded)
1/4 oz Falernum (Velvet)
1/4 oz Amaro Averna
1/8 oz Orgeat
1 dash Orange Bitters (Angostura Orange)
Stir with ice, strain into an old fashioned glass with ice, and garnish with a mint sprig and a drizzle of pot still Jamaican rum (1/8 oz Smith & Cross). Two Saturdays ago, I opened up the Bartender's Choice Volume 3 app and spotted the Old Timber by Ryan Kutnz at San Diego's Noble Experiment from 2016. The Averna and orgeat pairing reminded me of Meaghan Dorman's Across the Pacific although it also appeared in the Last Date and two other recipes on the blog. In the glass, the Old Timber gave forth mint and rum funk aroma. Next, a touch of creaminess and caramel on the sip opened up into Bourbon, a hint of almond and herbal, and clove flavors on the swallow.

song of the siren

1 1/2 oz Aged Rum (Privateer New England Reserve) (*)
1/2 oz Smoky Scotch (Laphroaig 10 Year)
1 oz Pineapple Juice
1/2 oz Lime Juice
1/2 oz Falernum (Velvet)
1/4 oz Maraschino (Luxardo)
1/4 oz Grenadine
1 dash Angostura Bitters
Whip shake with crushed ice, pour into a ceramic mug or Collins glass, fill with crushed ice, and garnish with mint sprigs.
(*) Perhaps a rum blend (or second rum) with a little funky or grassy profile might elevate this drink. I became inspired by how the Kingston Campfire took the Hotel Nacional in a smoky Scotch and falernum direction, and I wondered if the Mary Pickford could make a similar style of riff. To that classic, I added those two ingredients plus lime and bitters to bring the drink into balance, and I turned it into a more tropical serving style instead of prepared up in a cocktail glass. For a name, since Mary Pickford was referred to as "Canada's Silent Siren," I dubbed this one the Song of the Siren as a modern tribute. Once mixed, the Song of the Siren greeted the nose with a mint, nutty cherry, pineapple, and peat smoke aroma. Next, pineapple, red berry, and lime notes on the sip advanced into rum, smoke, nutty cherry, ginger, and clove flavors on the swallow. Perhaps a rum or rum blend with a little grassiness or funk might add some delightful complexity to the profile.

pigeon park

1 1/2 oz Mezcal (Fosforo Ensemble)
3/4 oz Punt e Mes
1/2 oz Pimm's No. 1
1/4 oz Benedictine
2 dash Angostura Bitters

Stir with ice, strain into a coupe glass rinsed with Ardbeg Scotch (Ardbeg 10 Year), and garnish with orange oil from a flamed twist (unflamed, twist included). My rediscovery of Pimm's No. 1 led me to search the Kindred Cocktails database where I landed on the Pigeon Park by Martin Corriveau at La Pentola in Vancouver circa 2013. Martin created this as a variation on the the Vancouver which is a recipe that I made around 5 years ago from William Boothby's 1934 World Drinks & How to Mix Them with gin, sweet vermouth, Benedictine, and orange bitters. Martin explained, "I wanted something slightly herbaceous to highlight the subtle herbal aroma of the mezcal, and Pimm's No.1 felt like the perfect choice because it wasn't very sweet, and being made from gin, it echoed the original Vancouver Cocktail, which was essentially a Martinez with Benedictine instead of Maraschino. Pigeon Park is a little square in Vancouver's Downtown Eastside where the homeless and junkies hang out or just take a nap. Still Vancouver, even though it doesn't look anything like a postcard photo, yet not without charm either." Once assembled, the Pigeon Park gave forth an orange, peat smoke, and red fruit aroma. Next, grape and berry notes on the sip slid into vegetal, smoke, bitter herbal, berry, and allspice flavors on the swallow.

towards the unknown

1 1/2 oz Reposado Tequila (Cimarron)
1 oz Pimm's No. 1
1/2 oz Crème de Banane (Tempus Fugit)
1/2 oz Lime Juice
2 dash Absinthe (12 drop St. George) (*)

Shake with ice and strain into a coupe glass.

I became inspired to tinker by the reposado tequila-Pimm's aspect of the Primavera that I had just made, and I utilized the Pimm's-banana element in the Luxury from the 1953 UKBG Guide for Drinks as a direction. For a name, I dubbed this one Towards the Unknown after a 1950 painting by Mexican surrealist Gunther Gerzso. Once prepared, the Towards the Unknown wandered to the senses with a vegetal, caramel, banana, and anise aroma. Next, lime, red berry, and caramel notes on the sip uncovered roasted vegetal, fruity, banana, and anise flavors on the swallow. Overall, the absinthe did give this drink a lift and brought it out of the darker fruit direction that the Pimm's and banana liqueur took it in (Giffard's Crème de Banane should be a bit brighter than Tempus Fugit's).

jackson square swizzle

1 1/4 oz Pernod Absinthe
1 oz Pineapple Juice
1 oz Falernum (Velvet)
3/4 oz Lime juice

Build in a Collins glass, fill with crushed ice, swizzle to mix and chill, top with crushed ice, and garnish with a mint sprig. Two Tuesdays prior, I went back to the online recipe flashcards for Club 33, the New Orleans-themed establishment at Disneyland in Anaheim, and found the Jackson Square Swizzle that would utilize my garden's mint bounty. I found a Yelp menu photo in 2022 that declared, "Jackson Square is the historic center of the French Quarter. Legend has it that in an apartment around the corner was hidden a collection of absinthe deep enough to quench the thirst of local politicians during its 100 year drought." Overall, the combination and general ratios reminded me a lot of the Chartreuse Swizzle, so I was indeed curious to try this one. I wish that I still had my absinthe fan regulars from when I bartended at Drink who wanted cocktails with an ounce or more of the stuff (ranging from the 1922 Yellow Parrot to the Absinthe Painkiller that I crafted on the fly for them) so I could surprise them with this one the next time they came in. Once swizzled, the drink proffered mint and licorice aromas to the nose. Next, lime and pineapple notes on the sip gave way to licorice, anise, pineapple, and clove flavors on the swallow.

yellow cloud

2 oz Probitas Rum (1 3/4 oz Hamilton White 'Stache + 1/4 oz Smith & Cross)
3/4 oz Velvet Falernum
1/2 oz Passion Fruit Syrup (*)
3/4 oz Lime Juice
3/4 oz Pineapple Juice

Shake with ice, strain into a coupe glass, and garnish with a pineapple crescent (omit) and a flower (ornamental pea blossom).
(*) A second set of online recipe flashcards and a magazine article about the bar's opening had this as Chinola Passion Fruit Liqueur instead of syrup. Two Mondays ago, I felt in a tropical mood, so I found the recipes that I uncovered that Paul McGee created for the Papaya Club at the Conrad Orlando resort. The Papaya Club along with Seaworthy were projects that Paul consulted for after Lost Lake closed but before he opened his own spot, Echo Lake. MarketWatch in 2024 had a photo and description of the drink in their article about the Papaya Club, and they listed it with Chinola liqueur for the passion fruit element, so perhaps they changed to syrup to save on cost if my 2025 recipe flashcards are correct. Here, the lime, passion fruit, and falernum trio reminded me of the Mai-Kai's Last Rights that inspired by mezcal-Ancho Reyes The Missing. Once prepared, the Yellow Cloud floated to the nose with a passion fruit, rum funk, and pineapple nose. Next, lime, pineapple, and a hint of tart passion fruit on the sip transformed into funky rum, pineapple, ginger, and clove flavors on the swallow.

second fiddle

1 oz Cognac (Courvoisier VS)
1 oz Reposado Tequila (Cimarron)
1 oz Pineapple Juice
1/2 oz Cinnamon Syrup
1/2 oz Lime Juice

Shake with ice and strain into a coupe glass. Two Sundays ago, I returned to the same online recipe flashcards for Dear Irving in Manhattan that I found the Slow Drift. There in the same "Island Hop" section of their 2026 menu, I selected the Second Fiddle that read like a split spirits Gilda Cocktail; tequila and Cognac have worked well together in the Lobo Saldado (mezcal and Cognac is a much more common pairing though such as in the 1910 Cocktail or my Bucking the Tiger). Once prepared, the Second Fiddle launched off with a pineapple and cinnamon nose. Next, lime and pineapple notes on the sip slid into Cognac, vegetal, pineapple, and cinnamon flavors on the swallow.

kingston campfire

2 oz Appleton Signature Rum
1/4 oz Ardbeg 10 Year Scotch
1 1/2 oz Pineapple Juice
3/4 oz Lime Juice
3/4 oz Giffard Apricot Liqueur (Rothman & Winter)
1/4 oz BG Reynold's Falernum (Velvet)

Whip shake with crushed ice, pour into a Zombie glass (ceramic mug), and garnish with a lime wheel (omit) and mint sprig. Two Saturdays ago, I reached for my copy of Justin Wojslaw's Coconuts & Carnage book from Wonk Press to make a follow up to the inaugural Demerara Dream Daiquiri. For a second recipe, I selected his Kingston Campfire. Smoky Scotch accents to rum have been a rather effective technique that I saw last in the Smoke Along the Crescent Bend and I utilized in my Doomscroller, so I was curious to see it in this expansion of the Hotel Nacional Special along with a little falernum for spice. In the bamboo mug, the Kingston Campfire smoldered with a mint, pineapple, apricot, and peat smoke aroma. Next, pineapple and lime on the sip ignited rum, peat smoke, apricot, and clove flavors on the swallow.

kungaloosh hidea-tai

2 oz Aged Jamaican Rum (1 oz Smith & Cross + 1 oz Appleton 8 Year)
3/4 oz Lime Juice
1/2 oz Apricot Liqueur (Rothman & Winter)
1/2 oz Orgeat
1/4 oz Cinnamon Syrup

Whip shake with crushed ice, pour into a glass (ceramic mug), fill with crushed ice, and garnish with a mint sprig and lime wheel. Two Fridays ago, I decided to make a recipe that I spotted on the Casual Tiki website called the Kungaloosh Hidea-Tai. They described it as "the signature cocktail from the storied Kungaloosh Hideaway" that was a Trader Vic Mai Tai taken in a stone fruit direction. My research suggested that this is perhaps a reference to the Adventurer's Club at Disney that closed in 2008 to the public and in 2009 to private events. While I have had orgeat, apricot liqueur, and cinnamon in all the pairings possible with great effect, I have never had all three in a single drink. Once prepared, the Kungaloosh Hidea-Tai provided a mint and lime aroma. Next, a creamy caramel and lime sip uncovered funky rum, apricot, nutty, and cinnamon flavors on the swallow.

electric circus

1 oz Mezcal (Fosforo Ensemble)
1 oz Pineapple Rum (Planteray Stiggins' Fancy)
1/2 oz Amaro Montenegro
1/2 oz Cynar
2 dash Angostura Bitters

Stir with ice, strain into an old fashioned glass with ice, and garnish with an orange twist. After spotting a rye drink on a menu that had Cynar and Montenegro as modifiers, I realized that it was similar to what I enjoyed in the Tio Amargo with Demerara rum. I was inspired to swap the base to a split of mezcal and pineapple rum which I discovered in the Hunter Thompson and utilized a few times before such as in the Cannibal Cove last Fall. For a name, I dubbed this one the Electric Circus after the 1960s New York City nightclub with a variety of performers often associated with Andy Warhol that I read about in the St. Marks Is Dead book. From 1967 to 1971, the Electric Circus incorporated the big top aspect with everything from jugglers, mimes, trapeze artists, and body painting, and added in other performances like psychadelic multi-projector audiovisual shows and bands like The Velvet Underground, The Grateful Dead, and Sly & the Family Stone. One quote about the establishment caught my curiosity with, "Like Woodstock, if you remembered much of what happened at the E.C., you weren't really there." In the glass, the Electric Circus sprang forth with an orange, tropical, and smoke aroma. Next, a caramel-driven sip evolved into rum, pineapple, tangerine, vegetal, smoke, and clove flavors on the swallow.

maiden voyage

1 1/2 oz Mezcal (Convite Essencial)
1/2 oz Fino Sherry (Lustau Manzanilla)
1/2 oz Amaro Montenegro
1/2 oz Yellow Chartreuse

Stir with ice, strain into an old fashioned glass with ice, and garnish with a lemon twist. Two Wednesdays ago, I opened up the Bartender's Choice Volume 3 app and selected the Maiden Voyage by Brandon Bramhall at Charleston's Last Saint circa 2023. This one was different from the more tropical Maiden Voyage and is instead a bitter herbal stirred number; moreover, it shares more similarity with the Afterword with lime and sparkling wine in place of dry sherry. Once mixed, the Maiden Voyage sailed off to the senses with a lemon, honey, vegetal, and smoke aroma. Next, honey and caramel notes on the sip developed into smoky vegetal, herbal, and tangerine flavors on the swallow.

ink & fire

1 1/2 oz Tequila (Fosforo Blanco)
3/4 oz Lime Juice
3/4 oz Agave Syrup
1/4 oz Ancho Reyes Chile Liqueur
1/4 oz Aperol

Shake with ice and strain into a cocktail coupe. Two Tuesdays ago, I came across recipes from Riverbar in Somerville, MA, back when I worked there in 2018. From the Spring menu that I started off with, the Ink & Fire needed a revisit. Essentially the drink reads like a Tommy's Margarita with a hint of orange and chili pepper mixed in; Ancho Reyes and Aperol did work well together in the My Name Is Nobody. While there is a black metal band under that name, that group formed after the recipe was created; unfortunately, it obscures any web search-based attempt to figure out what the drink was named after. Once shaken and strained, the Ink & Fire opened up with an agave and a hint of dried fruit and pepper aroma on the nose. Next, lime notes on the sip evolved into tequila, orange, and roasted pepper spice on the swallow.

primavera

1 oz Espolon Reposado Tequila (Cimarron)
1 oz Pimm's No. 1
1/2 oz Amaro Nonino
1/2 oz Lemon Juice
1/2 oz Agave Syrup

Shake with ice, strain into a snifter (double old fashioned) glass, fill with crushed ice, and garnish with a mint sprig (or 3). Two Mondays prior, I came across online recipe flashcards for the Spring 2026 menu at The Old Pal in Athens, Georgia, and the seasonally-appropriate Primavera stood out. Their website displays this drink on the current menu along with a drawing of it. The combination of tequila and Pimm's appeared in two drinks including the Indian Summer, and I utilized it in the Blind Hen as a mashup of the Metexa and Pimmeron from the 1930s. Once built, the Primavera gave forth mint aromas over caramelized vegetal ones from the tequila. Next, lemon and caramel on the sip blossomed into aged agave, red berry, and herbal flavors on the swallow.

trophy room

3/4 oz Bourbon (Evan Williams Bonded)
3/4 oz Maison Rouge Cognac (Courvoisier VS)
3/4 oz Cynar
1/2 oz Luxardo Maraschino
2 dash Angostura Bitters
2 dash Peychaud's Bitters

Stir with ice, strain into a coupe glass, and garnish with an orange twist. Two Sundays ago, I returned to online recipe flashcard set for Club 33, the New Orleans-themed restaurant at Disneyland in Anaheim, and came upon the Trophy Room. The recipe reminded me of the Physically Forgotten which is the gin version in the same ratio but with different bitters. I was able to find a Yelp menu photo from 2022 that had the description, "Tucked away among the magic of New Orleans' Square, a secluded room once played host to all manner of festivities and celebrations, with walls adorned with talking beasts and treasures from exotic far off lands." The description made me think of Muriel in New Orleans where Andrea and I attended an absinthe soirée towards the end of Tales of the Cocktail 2009 (see photo below). Once mixed, the Trophy Room donated an orange and nutty cherry bouquet to the nose. Next, a caramel-driven sip developed into Bourbon, Cognac, herbal, nutty cherry, and anise flavors on the swallow. The Maraschino came across as a little heavy handed here, so perhaps decreasing that amount could benefit the balance; surprisingly, I did not have a similar complaint a little over two years ago for the gin-based Physically Forgotten though.

held in contempt

2 oz Speyside Scotch (Glen Grant 16)
1/2 oz Amaro Ciociaro
1/8 oz Apricot Liqueur (Rothman & Winter)
1 dash Chocolate Bitters (Bittermens)
1 dash Orange Bitters (Angostura Orange)

Stir with ice, strain into an old fashioned glass with ice, and garnish with a lemon twist. Two Saturdays ago, I fired up The Bartender's Choice Volume 3 app and latched onto the Held in Contempt by Mikey Reihill at Manhattan's Attaboy in 2023. The recipe seemed like a good follow-up to last night's Scotch-Ciociaro drink, The Man with the X-Ray Eyes, and Scotch and Ciociaro have worked well before in Little Branch's .38 Special, my Jolly Jane, and other recipes besides that Julep. In the glass, the Held in Contempt gave forth a lemon, caramel, and apricot bouquet to the nose. Next, caramel and a hint of orchard fruit notes on the sip slid into Scotch, bitter caramel orange, and apricot flavors on the swallow with a chocolate and orange finish.

the man with the x-ray eyes

1 oz Blended Scotch (Famous Grouse)
1 oz Smoky Scotch (Laphroaig 10 Year)
3/4 oz Amaro Ciociaro
1/4 oz Grenadine
2 dash Absinthe (16 drop St. George)
6-8 leaf Mint

Muddle mint leaves in syrup and liqueur in a double old fashioned glass. Add rest of the ingredients, top with crushed ice, and garnish with a bouquet of mint. Two Fridays ago, I was inspired by the previous night's Smoke Julep and the recent Last One Standing to craft my own Julep variation. With the latter's Ciociaro element, I thought about the Picon/Ciociaro-grenadine combination in the Jayco and 8th Arrondissement that dates back to the classic Picon Punch, and I added it in to soften the amaro. For a name, I dubbed this one The Man with the X-Ray Eyes after the Bauhaus song that was a tribute to the 1963 movie of that name. Part of the impetus for the name was the desire not to have back-to-back posts with photos of drinks in Julep cups, so I imagined a see-through vessel instead. Once assembled, The Man with the X-Ray Eyes offered up mint over peat smoke and a touch of fruitiness on the nose. Next, caramel and berry notes on the sip widened into smoky Scotch and bitter orange-berry flavors on the swallow with a mint and anise finish.

smoke julep

1 oz Islay Scotch (Laphroaig 10 Year)
1 oz Bonded Apple Brandy (Laird's)
1/4 oz Maple Syrup
6-8 leaf Mint

Muddle mint leaves in maple syrup. Add rest of the ingredients, top with crushed ice, and garnish with a bouquet of mint. Two Thursdays ago, I reached for my copy of The Madrusan Cocktail Companion book and turned to the Julep section where I found the Smoked Julep by Phil Ward at Death & Co. circa 2008. Scotch, apple brandy, and maple is a trio that I recently saw in the Blackjack and that I utilized six years ago in the Lumberjack Negroni, so I was curious to try it in a Julep. Moreover, Scotch and muddled mint is something that I had not experienced before, but only with the mint as a garnish. With my freshly picked garden mint, the Smoked Julep opened up with mint over hints of apple and smoke to the nose. Next, apple and maple notes on the sip grew into smoky Scotch, hint of apple, and maple flavors on the swallow.

start me up

1 oz Elijah Craig 12 Year Bourbon (Evan Williams Bonded)
1/2 oz Mount Gay Black Barrel Rum (Doorly's 12 Year) (*)
3/4 oz Lemon Juice
1/2 oz Strega
1/4 oz Ginger Syrup
1/4 oz Honey Syrup
2 dash Orange Bitters (Angostura Orange)

Shake with ice and strain into an old fashioned glass with ice.
(*) The bar's 2019 cocktail book has this as Scarlet Ibis Rum. Two Wednesdays ago, I decided to make the Start Me Up that I found in a set of online recipe flashcards for the NoMad in Los Angeles. I uncovered both a drink photo and menu photo on Yelp from 2018 that had it under the "NoMad Classics" section, and I later found the recipe in The NoMad Cocktail Book where it was attributed to Leo Robitschek and Jessica Gonzalez; there it called for the Trinindad rum Scarlet Ibis. While the book did not say, if I had to wager, I would guess that it was named for the Rolling Stones song. As for the recipe, Strega has been paired up with either honey or ginger in a few drinks, but only appeared with both in Skull & Crown Trading Co.'s Hanalei Moon mixed in with a few other tropical ingredients. Once assembled, the Start Me Up gave forth a star anise and lemon aroma. Next, lemon and honey notes on the sip evolved into Bourbon, rum, honey, ginger, anise, and vanilla flavors on the swallow.

fat cat

1 oz Cognac (Courvoisier VS) (*)
3/4 oz Sloe Gin (Plymouth)
3/4 oz Apricot Liqueur (Rothman & Winter)
3/4 oz Lemon Juice
2 dash Orange Blossom Water (10 drop)

Shake with ice, strain into a coupe glass, and garnish with orange oil from a twist (include the peel).

(*) Originally an equal parts drink (save for the orange blossom water) that included the twist in the glass.
Two Tuesdays prior, I spied the Fat Cat by Yoann Tarditi at Satan's Whiskers in London circa 2023 via the Bartender's Choice Volume 3 app. I later found a post on the bar's Instagram that had it as an equal parts recipe and included the peel as garnish. Overall, the concept reminded me a little of the Charlie Chaplin (and Frank Caiafa's comment that they sometimes added gin to the classic at the Waldof Astoria for backbone and balance similar to the Fat Cat's structure). While I generally think of sloe gin mixed with gin, whiskey, rum, and agave spirits, Cognac is a rarity, and the only one with brandy that I have tried was the Manhattan Exposition at Deep Ellum. Once shaken and strained, the Fat Cat gave forth an orange, apricot, and dark fruit aroma. Next, lemon and dark berry notes on the sip subsided into Cognac, apricot, and red fruit flavors on the swallow.

baudouine

1 1/2 oz Siete Leguas Añejo Tequila (Cimarron Reposado)
3/4 oz Carpano Sweet Vermouth (Alessio)
3/4 oz Amaro Nonino
1/2 oz Lustau East India Solera Sherry
1 tsp Marie Brizard White Crème de Cacao (Bols)
3 dash Bittermens Mole Bitters
1 dash Orange Bitters (Angostura Orange)

Stir with ice and strain into an old fashioned glass with a large ice cube. Two Mondays ago, I spotted a reference to the Baudouine at the NoMad bar in London, and I soon located the recipe in The NoMad Cocktail Book. The drink created by Gino Pellarin at the original Manhattan location was perhaps named after a historic building that was build in 1896 in the Classical Revival Style including a small Greco-Roman temple on the upper levels and that is located around the corner from the bar (until the New York City location closed in 2021). There are three reposado tequila-based drinks containing Amaro Nonino on the blog, and they are all from Death & Co. or their alumni: West of East India, Spaghetti Western, and Los Amargos, so I was interested to see NoMad's take on it. In the glass, the Baudouine ascended to the nose with a raisin and vegetal aroma. Next, grape and caramel notes on the sip developed into tequila, chocolate, orange, and dried fruit flavors on the swallow.

saddle up!

1 oz Reposado Tequila (Cimarron)
1 oz Mezcal (Fosforo Ensemble)
3/4 oz Amaro Averna
1/4 oz Passion Fruit (Passion Fruit Syrup)

Stir with ice, strain into an old fashioned glass with ice, and garnish with an orange twist. Two Sundays ago, I opened up the Bartender's Choice Volume 3 app and became intrigued by the Saddle Up! by Kathryn "Pepper" Stashek at Manhattan's Attaboy in 2019. I was lured in by the Averna-passion fruit syrup combination that I enjoyed in the Permanent Holiday and as well as in the African Queen when I utilized passion fruit syrup instead of liqueur. Once mixed, the Saddle Up! gave forth an orange, smoke, and roasted vegetal aroma. Next, caramel and tropical notes on the sip rode into roast agave, smoke, herbal, and tangy orange flavors on the swallow. As the ice melted over time, the drink became more passion fruit driven.

chocolate stinger (audrey saunders)

2 oz Pierre Ferrand Ambre Cognac (Courvoisier VS)
1/4 oz Marie Brizard Crème de Menthe (Tempus Fugit)
1/4 oz Marie Brizard Crème de Cacao (Bols White)
1 tsp Kahula
1 dash Bittermens Mole Bitters

Shake with ice and strain into a coupe or an old fashioned glass with ice.

Two Saturdays ago, I decided to make a recipe that I found in Pierre Ferrand's 2016 NYC Cocktail Book called the Chocolate Stinger that was created, or better stated improved upon, by Audrey Saunders at the Pegu Club in Manhattan. The Stinger is a classic first published in 1914 that dates back to the 1890s of shaken instead of stirred Cognac and crème de menthe. It is also a drink that I have a distinct memory of from Russell House Tavern. While we did put it on the menu in 2014, in 2013, I recall two troublesome townie women who sat at my bar one early afternoon and one of them ordered a Stinger. I recall shaking it, serving it on crushed ice, and garnishing with a mint sprig (*). She was appalled at the presentation and asked for it to be strained. Luckily, when it was later on the menu, my bar manager was smart enough to serve it up. I think that bar guest would be appalled by this variation of a Stinger as well given the excess flavors and lower mint quotient than expected. However, Audrey's recipe was tempting for crème de menthe and cacao work well together as I learned in Death & Co.'s Midnight Mountain and that I utilized in my Year of the Dragon, and minty Fernet works amazingly with crème de cacao. One Instagram friend commented that the Chocolate Stinger reminded them of the After Eight which is crème de menthe with either chocolate or coffee liqueur depending on the recipe with either vodka or Bailey's as the third ingredient; here, all three liqueurs are present, so that observation was rather on point. It turns out that there is a mid-century recipe known as the Chocolate Stinger that is simply the two crème liqueurs with or without vodka shaken together. Given Audrey Saunders' high level of perfecting drinks, it was a good reason to shake up (instead of stir) another straight spirits recipe. In the glass, Audrey's Chocolate Stinger gave forth brandy and mint aromas. Next, mint and roast notes on the sip developed into Cognac, chocolate, and mint flavors on the swallow with coffee and mint on the finish.

(*) Postnote 7/13/26: While reading Toby Maloney's The Classic Cocktail Sessions, he pointed out that Dale DeGroff serves his Stingers in a rocks glass with crushed ice and garnished with a mint sprig; however, both the original and updated recipes in Dale's The Craft of the Cocktail book leave out the mint garnish. Difford's Guide includes the mint garnish in his preferred recipe but offers up older recipes served in a cocktail glass including Straub's 1913 recipe that includes a lemon peel in a regal shake.

contemporary art

1 oz Mezcal (Fosforo Ensemble)
1 oz Amontillado Sherry (Lustau)
3/4 oz Lemon Juice
3/4 oz Orgeat

Shake with ice and strain into a coupe glass. Two Fridays prior, I opened up the Bartender's Choice Volume 3 app and opted for the Contemporary Art crafted by Zack Gelnaw-Rubin at Manhattan's Attaboy in 2022. Its trio of Amontillado sherry, orgeat, and lemon juice have worked well in drinks like the Orientation with Cognac, and I utilized it well in my Sherry Mai Tai, so I was curious to experience the combination with mezcal. Once mixed, the Contemporary Art showcased a smoke, vegetal, and nutty aroma. Next, a creamy lemon and grape sip blossomed into smoky, vegetal, almond, and savory flavors on the swallow.