Showing posts sorted by relevance for query guava jelly. Sort by date Show all posts
Showing posts sorted by relevance for query guava jelly. Sort by date Show all posts

Friday, May 27, 2011

barbadoes punch

1 tbsp Raspberry Syrup (1/2 oz)
2 tbsp Sugar (1 oz)
1 wineglass Water (2 oz)
1 1/2 wineglass Brandy (3 oz Pedro Domecq Fundador Solera Reserva)
Juice 1/2 Lemon (1 oz)
2 slice Orange
1 piece Pineapple
2 tbsp Guava Jelly (1 oz)

Dissolve sugar in water. Add rest of ingredients and ice, shake, and strain into large punch cups, rocks glasses, or similar. Makes 2 servings.

Ever since having Dave Delaney's guava jelly-containing Groovy Child at the Citizen in Worcester, I was curious about the recipe that influenced him -- Jerry Thomas' Barbadoes Punch from the 1862 Bartender's Guide. The Barbadoes Punch is Jerry Thomas' Brandy Punch gussied up with some guava jelly which adds the citrussy flavor of the guava and a fuller mouthfeel from the jelly. When I was browsing the ethnic food aisle of our local Market Basket a few weeks ago, I spotted two varieties of guava jelly and knew that it was time to make this recipe. But which one to buy? One was a jar of Goya brand and the other was a package from Brazil. I was slightly deterred by the Goya's high fructose corn syrup sweetener, but in the end, it was probably the proper consistency for the jelly I wanted. The Brazilian one I ended up buying, had a simple list of ingredients and used guava paste instead of juice; however, it turned out to be pretty solid due to its high pectin content (the fruit's skin naturally contains a lot of pectin). Since muddling did not incorporate the jelly into the mix, I ended up microwaving the water, sugar, and guava jelly to get it to incorporate; this level of dilution worked well to keep the pectin in solution.
The Barbadoes Punch was rather fruity with raspberry, citrus, and pineapple notes and finished with a pleasing brandy flavor. While the guava jelly added some extra citrus-like notes, it was not as noticeable as in the Groovy Child. The jelly did donate a smooth quality akin to gum arabic due to the pectins; this effect, though, was more magnificent here than in the Groovy Child. Andrea's quote after trying the Barbadoes Punch summed it up best, "[It tastes] like alcoholic Dole fruit salad!"

Thursday, March 31, 2011

groovy child

1 1/2 oz Hendrick's Gin
3/4 oz Noilly Prat Dry Vermouth
3/4 oz Lime Juice
2 heaping barspoon Guava Jelly
1 barspoon Simple Syrup

Shake with ice and double strain into a cocktail glass. Garnish with 3 juniper berries.

Last Saturday, Andrea and I drove out to Worcester to visit the Higgins Armory. Since Andrea was in the mood to go to a museum and I remembered that Hilary Scott's exhibition there was ending in a few months, it seemed like a good day for a road trip. After looking at a lot of old armor and Hilary's surreal art work, we drove into downtown Worcester for dinner at the Citizen (unrelated to the Citizen in Boston). When we sat down at the bar, bartender Dave Delaney greeted us and remembered meeting me at Tales of the Cocktail last summer. As we looked over the drink menu, we noted that there was a combination of classics like the Martinez and the Boulevardier and a handful of house originals; surprisingly, there were neither vodka drinks nor light beers on the menu (lucky for them, they did have vodka at the bar)! The drink that caught my eye first was the Groovy Child for it called for guava jelly. Beside my enjoyment of marmalade in a recent drink, I was curious for I had only seen guava jelly called for in 19th century punch recipes. Indeed, Dave explained that he got the idea from Jerry Thomas' Barbados Punch. While I spent the whole time drinking the Groovy Child pondering the name, I only later made the connection that it was taken from a line in the Bob Marley song "Guava Jelly."
The juniper berry garnish helped to supplement the aroma of the Groovy Child especially since Hendrick's is a less juniper-forward gin. The lime and guava jelly elegantly paired up to conjure a tropical sip; guava jelly has been described as a less sharp lemon rind flavor, so it worked well with the lime. The lime helped the sip transition into the swallow where these notes lingered to pair up with the gin and dry vermouth. With the drink on the slightly tart side, the Groovy Child was a decent drink to have before our first course arrived.

Wednesday, August 10, 2011

the alderman's punch

1 pint Hot Green Tea (4 oz)
1/2 pint Brandy (2 oz Pedro Domecq Fundador Solera Reserva)
1/2 pint Rum (2 oz Plantation 5 Year Barbados)
1 wineglass Curaçao (1/2 oz Senior's Curaçao of Curaçao)
Juice 2 Lemons (3/4+ oz)
Peel of 1 Lemon (1/4)
Powdered Sugar to taste (3/4 oz Simple Syrup)
A 6d Pot of Red Currant or Guava Jelly (~1 oz Guava Jelly)
If the punch is too strong, add more tea.

To make this punch, I boiled water and added the tea bag and lemon peel. After a few minutes, I added the guava jelly cube (very pectin-rich) to melt it in the warm tea infusion. After removing the tea bag, I added the rest of the ingredients, shook without ice, and double strained into a pair of punch cups (the full-sized recipe would make about 8 punch cups worth). Since no secondary heating step was suggested, I served this punch lukewarm. I also could not determine how much jelly could be purchased for that amount of money back in 1871 (unless 'd' is a volume such as a fluid drachm or dram (1/8 oz)).
When I spotted the Alderman's Punch in the Gentleman's Table Guide from 1871, it seemed rather delightful with the split base spirit of rum and brandy spiced with green tea. However, when I spied the guava jelly in the ingredients list, I was immediately sold. Indeed, this recipe would make great use of the jelly I bought a few months ago to make Jerry Thomas' Barbadoes Punch. After parsing through the recipe and mixing up a batch, I was quite pleased with how the guava entered the aroma along with the Barbados rum. The guava next appeared in the sip where it joined the lemon in a sweet but sharp citrus flavor. The jelly also donated a luxurious mouthfeel on the sip from its high pectin content. Finally, the rum, brandy, and green tea notes rounded out the swallow. Moreover, the punch had an interesting spice note to it that I could not place, but I presumed it was from the warmed spirits.

Saturday, September 1, 2018

olmec colossal grog

2 oz Blanco Tequila (Cimarron)
3/4 oz Guava Purée, Guava Nectar, or Melted Guava Jelly (Guava Jelly melted 1:1 with hot water) (*)
3/4 oz Lime Juice
3/4 oz Grapefruit Juice
1/2 oz Simple Syrup
1/4 oz Allspice Dram (Hamilton's)

Shake with ice, strain into a Tiki mug, fill with crushed ice, and garnish with mint sprigs.
(*) Perhaps 1/2 oz of either the guava purée or melted guava jelly, or 1 oz of guava nectar might work well here.

Two Saturdays ago, I was inspired by Trader Vic's Old Yellowstain to riff on its structure. Since Old Yellowstain is essentially a Trader Vic Navy Grog with passion fruit added and different rums, I wondered if tequila would substitute in well in grog format like how Vic transformed his Mai Tai into the Pinky Gonzalez. And instead of passion fruit, I swapped the tropical fruit aspect to guava which is indigenous to Mexico; moreover, Vic occasionally called for guava jelly in his drinks such as the Cooper's Ranch Punch. For a name, I was inspired by the large stone heads of Mesoamerica called the Olmec colossal heads by archeologists; I remember having my photo taken in front of a reproduction of one at Yale University's Peabody Museum in my youth, and I still recall my awe and wonder at its size.
The Olmec Colossal Grog showcased a grand mint bouquet over guava and vegetal agave aromas. Next, pectin-smoothed grapefruit and lime on the sip slid into tequila, guava, and allspice on the swallow.

Sunday, September 6, 2015

cooper's ranch punch

2 oz Puerto Rican Rum (Caliche)
2 oz Guava Juice or Guava Jelly dissolved in hot water (1 oz jelly, 1oz water, microwaved in a coffee cup)
2 oz Pineapple Juice
1 oz Lime Juice
1 dash Grenadine (1/2 oz)

Shake with ice and strain into a glass with ice and top with soda water. I shook without ice first to integrate the jelly better, then added ice and shook again, and strained into a glass containing 1 1/2 oz soda water.

Two Tuesdays ago, I turned to our copy of Trader Vic's 1947 Bartender's Guide and spotted the Cooper's Ranch Punch. I was drawn in by the call for guava jelly since I have a modification of the West Indies Punch on the menu at Loyal Nine that also calls for the stuff (I put the modification on Instagram, but we now use what works out to 3/16 oz 1:1 guava jelly "syrup" (we had a more pliable guava paste before) when we batch it).
The punch shared mint, floral, and tropical fruit aromas. Lime, guava, and pomegranate on the sip had an interesting balance of crisp versus mellow flavors especially with the soothing pectin from the jelly in the mix. And finally, the swallow shared the rum and pineapple notes.

Tuesday, November 17, 2015

kon tiki ti-punch

50 mL (1 2/3 oz) Bacardi 8 Year Rum (Tommy Bahama Gold)
20 mL (2/3 oz) Lime Juice
15 mL (1/2 oz) Grenadine
5 mL (1 tsp) Demerara Syrup
5 mL (1 tsp) Guava Jelly
1 chunk Fresh Pineapple (2/3 oz Juice)

Muddle pineapple and guava jelly in lime juice (microwave jelly with grenadine and demerara syrup to melt and dissolve the jelly). Add the rest of the ingredients and ice, shake, and strain into a punch goblet (double old fashioned glass). Garnish with a lime wedge, pineapple chunk, and mint (spent half lime shell, mint sprigs, flowers).

After getting home from my night on the town that Wednesday, I reached for Beachbum Berry's Remixed. There, I was surprised by a drink created by Sean Muldoon well before he came to the United States to open the Dead Rabbit in Manhattan. The drink was the Kon Tiki Ti-Punch that he concocted at the Merchant Hotel in Belfast, Northern Ireland, and I was definitely lured in by the use of guava jelly that Jerry Thomas featured as an ingredient in his 1862 book via the Barbadoes Punch.
The Kon Tiki Ti-Punch began with a floral and mint aroma. A rich guava, pineapple, and pomegranate sip gave way to rum and more guava notes on the swallow. Interestingly, the lime here was less of a noticeable flavor and more of a balancing component to my palate and drink build.

Friday, December 30, 2011

fifth avenue hotel ice punch

1 1/2 oz Peach, Orange, or Cognac Brandy (Martell VS)
1 1/2 oz Rum (Plantation 5 Year Barbados)
1 1/2 oz Curaçao (Senior Curaçao)
1 1/2 oz Currant or Guava Jelly (Guava)
1 1/2 oz Lemon Juice
Peel of 1 Lemon
Sugar (1/2 oz)

Create an oleo saccharum by muddling the sugar into the lemon peel; let sit for up to an hour (10 minutes). I added 1 oz of water and the guava jelly to this, heated via microwave, and stirred until the sugar and the jelly's pectin were dissolved. Let cool, add rest of ingredients and ice, shake, and strain into glasses containing crushed ice. Garnish with berries in season (orange slices and a Maraschino cherry) and straws. Recipe serves 2.

After returning home from Trina's Starlite Lounge, I decided to make an old recipe, the Fifth Avenue Hotel Ice Punch, I had found in The Gentleman's Table Guide from 1871. The Fifth Avenue Hotel that the name most likely makes reference to was a luxury hotel built in 1859 on Fifth Avenue between 23rd and 24th Streets in Manhattan. The hotel until it closed in 1908 was frequently described as a center of the city's elite.
The punch's sip had a rich mouthfeel from the jelly's pectin and had a complex citrus flavor of lemon from the juice, orange from the curaçao, and lime from the guava. The swallow's rum and Cognac notes rounded out the drink. The recipe seemed similar to a Sidecar with the brandy, lemon juice, and orange liqueur; however, the guava, much more than the rum, took the drink in a very different direction. Overall, the drink was a bit sweet, but I included the recipe's additional sugar so I could make the oleo saccharum (which was not specified in the recipe, and the peel could have been muddled, infused, or shaken with the ice cubes instead).

Tuesday, November 21, 2017

fascination street

2 oz Remy Martin VSOP Cognac
3/4 oz Jasmine Tea Syrup (*)
1/2 oz Lemon Juice
1/4 oz Liquidy Guava Jelly (**)
1 dash Peychaud's Bitters

Shake with ice, strain into a punch cup, partially fill with ice, and garnish with freshly grated nutmeg.
(*) A strong 5 minute steep of Twining's Jasmine Tea in boiling water. Strain (or remove the tea bag), add an equal volume of sugar, and stir to dissolve.
(**) Equal parts guava jelly (the pectinized brick type) and water. Cut the jelly into small blocks, heat with water such as through microwaving, and stir until liquidy. It will stay thick but pourable even if refrigerated, and will be good if kept refrigerated for 2+ weeks.
For my third drink for the Earl's Cocktail Lab two weeks ago, I decided on basing a drink on guava jelly. My mind quickly went to a pair of classic punches: the Barbadoes Punch from Jerry Thomas' 1862 Bartender's Guide and the West Indies Punch from 1869 Cooling Cups & Dainty Drinks. Similar to the Jakartoni, I kept the tea element found in the West Indies and other classic punches, and here I utilized a floral black tea in the form of a syrup. To balance the sweetness, I added lemon juice and a hint of a drying spice from Peychaud's Bitters. To round out the trilogy of drinks named after songs from The Cure's Disintegration album, I was lured in by Fascination Street.

Wednesday, December 6, 2017

haole's downfall

1 1/2 oz Don Q Cristal Rum (Angostura White Oak)
1/2 oz Kronan Swedish Punsch
1/2 oz Guava (Guava jelly melted down 1:1 with water)
1/2 oz Lime Juice
1/2 oz Simple Syrup

Shake with ice, strain into a rocks glass, fill with crushed ice, and garnish with a paper umbrella.
Two Wednesdays ago, I ended up on the Kronan Swedish Punsch website where there were a few suggested recipes. The one that called out to me was the Haole's Downfall crafted by Nick Feather at San Francisco's Restaurant Skool. The ingredient listed as "guava" might have meant guava juice or concentrate (guava syrup would probably be too sweet here given the Swedish punsch and simple syrup already in the recipe), but I had some melted guava jelly left over from the Fascination Street that I figured would work well here. Once prepared, the Haole's Downfall gave forth rum and darker tropical notes perhaps from a combination of the guava and Swedish punsch. Next, lime and caramel were joined by viscosity from the guava's pectin on the sip, and the swallow shared rum, guava, and Swedish punsch's tea and funk flavors.

Sunday, June 19, 2016

jakartoni

3/4 oz Batavia Arrack
1/2 oz Campari
1/2 oz Cinzano Sweet Vermouth
1/2 oz Green Tea Syrup
1/2 oz Lemon Juice
1/4 oz Liquidy Guava Jelly (*)

Shake with ice and strain into a punch cup. Add ice and garnish with an orange twist and freshly grated nutmeg.
(*) Guava jelly melted in an equal part of boiling water.
On the eve of Negroni Week two weeks ago, I decided to re-envision the Negroni as an old school punch. It was a little late to change our event offering of Life On Mars, but there was still plenty of time to tinker. For a spirit, I opted for Batavia Arrack instead of the classic's gin but kept the Campari and sweet vermouth in place. To make things more punchlike, I added citrus and spice in the form of lemon juice and green tea syrup, and to round things off like the 1869 West Indies Punch, I donated a bit of guava jelly to the mix. I have the guava on hand at work since we have a stripped down version of the West Indies Punch on the menu. Overall, the balance was much softer, more rounded, and less bitter than a Negroni which is the way a punch ought to be.

Monday, January 22, 2018

cooper's zombie

3/4 oz Smith & Cross Rum
3/4 oz Myer's Dark Rum (Gosling's Black Seal)
3/4 oz Bacardi Superior Rum (Don Q Añejo)
3/4 oz Bacardi 8 Year Rum (Don Q Añejo)
3/4 oz Grapefruit-Cinnamon Syrup (BG Reynold's Don's Mix)
1/2 oz Pineapple Juice
1/2 oz Lime Juice
1 bsp Guava Reduction (1/4 oz melted Guava Jelly (heated 1:1 in water))

Shake with ice, strain into a tall glass (Tiki mug), float 4 dash Angostura Bitters, spritz with Pernod Absinthe, and garnish with an orange slice, mint sprig, pineapple leaf, and cherry (2 pineapple leaves, spent half lime shell, cherry).

After my bar shift two Mondays ago, I wanted to continue on with the Tiki the Snow Away month theme, and I chose to make a drink called the Cooper's Zombie that I spotted on OnTheBar. The recipe was posted by Tampa bartender Gabriel Camacho who credited Chuck Cooper. With guava in the mix, I wondered if it was the same Cooper associated with Trader Vic's 1946 Cooper's Ranch Punch. Instead, Chuck Cooper was one of Gabriel fellow bartenders in town. Cooper's Zombie varied from the classic 1934 Zombie by ditching the falernum and grenadine for pineapple and guava.
The Cooper's Zombie presented a spiced aroma of anise and cinnamon notes to the nose. Next, lime, guava, and pineapple mingled with a full mouthfeel from the guava jelly's pectin on the sip, and the swallow led off with funky rum and darker tropical flavors and ended with a cinnamon finish. Once the bitters float reached the straw, the balance shifted to drier and more clove-driven.

Friday, November 16, 2018

tainted love

1 1/2 oz Cognac (Courvoisier VS)
1/2 oz Meletti Amaro
1/2 Egg White (1 Egg White)
1 tsp Goya Guava Jelly (1/4 oz La Fe guava paste melted with a little water in the microwave)
1 tsp Lemon Juice (1/4 oz)

Shake once without ice and once with ice, strain into a glass, and garnish with Angostura Bitters.

Two Fridays ago, I returned back to my list of Amaro Meletti recipes that I had compiled and decided upon the Tainted Love. This one was not the Tainted Love that I created for Yacht Rock Sundays a few years ago, but it was the one created at Washington DC's Eat Bar for their Valentine's Day 2017 menu by way of a DCist article. The drink's guava jelly component is a classic ingredient that dates back to the Barbadoes Punch in Jerry Thomas' 1862 book if not earlier, and I used it in some of my own creations like the Fascination Street and the Jakartoni.
The Tainted Love shared a clove and allspice aroma from the bitters along with hints of Cognac on the nose. Next, a creamy guava and caramel sip led into Cognac blending into guava on the swallow with a floral finish from the amaro.

Saturday, March 22, 2014

west indies punch

The theme for this month's Mixology Monday (MxMo LXXXIII) was picked by Craig of the A World of Drinks blog. The theme he chose was "Preserves" which is perfect for this time of year when the ground has not yet even sprouted the beginnings of this year's harvest; instead, it will be utilizing the flavors of the other seasons through preservation techniques like syrups, shrubs, and jellies. Craig elaborated on the concept by describing, "For this month's challenge I would like to take us back to the humble beginnings of the cocktail bar, the days when bartenders didn't have he luxury of daily deliveries of ingredients from around the world. In these times bartenders would have been uncertain when they would again have the privilege to work with special ingredients so would naturally try to make the most of them... Such methods of preservation such as syrups and preserves have been staple ingredients behind the bar ever since, while others such as shrubs and sherbets were relatively short lived. The aim of the challenge is to go back to the days of the preserve, pick an ingredient, seasonal or not and treat it as if you won't be seeing it again for quite some time. Syrups, sorbets, jam, shrubs and the like are all fair game, anything that will preserve the integral character of your favourite ingredient."
Throughout the years of my home bar, I have made many syrups, shrubs, and infusions, and I have continued on as well in my work bar (although most of the routine work is done by the barbacks and the experimental preparations by the bar manager). In thinking about preserved flavors, I looked to what recipes I could find in the literature and compare it to what I had at hand in the fridge. My recipe search found my way over to the 1946 Trader Vic's Book of Food & Drink; actually, I was looking for a drink to make that night, but I bookmarked the page for the West Indies Punch for Mixology Monday to make later in the week. The punch called for guava marmalade, and I have been curious about preserved guava ever since I had Dave Delaney's Groovy Child at the Citizen in Worcester and noted how well the lime and guava partnered. I bought my own guava paste (more of a pectin-ized block than a jelly) shortly after to make the Barbadoes Punch, the 1862 Jerry Thomas recipe that influenced Delaney. I have since used the guava paste over the last 3 years in the Alderman's Punch and Fifth Avenue Hotel Ice Punch, and the block still looked as good as ever. So instead of preserving flavor from the season, this is preserving flavor over several years in a fruit product that I purchased at a local market that no longer exists today.
West Indies Punch
• 1/2 pound Sugar (1/2 oz)
• 1 pint Green Tea (1 oz)
• 1 dozen Limes (3/4 oz juice + 3/4 of a lime shell)
• 1 cup Guava Marmalade (1/2 oz Guava Paste)
• 2 cup Boiling Water (1 oz)
• 1/2 bottle Dark Jamaican Rum (3/4 oz Coruba)
• 1/2 bottle Light Jamaican Rum (3/4 oz Appleton V/X)
• 1 pint Cognac (1 oz Foret)
• 1 bottle Madeira (1 1/2 oz Blandy's Verdelho)
Dissolve sugar into tea. Juice limes and add juice and shells into the tea. Dissolve the guava marmalade in boiling water and combine with the tea. Add rest of the ingredients and let stand overnight. Remove the lime shells and pour over ice in a punch bowl (here, made at 1/16th scale and poured over a large cube in a rocks glass). Let chill.
The West Indies Punch shared a funky rum and fruity aroma. As before, the lime and citrussy guava flavors elegantly paired on the sip. Next, the swallow began with a fruity and funky rum flavor that ended with minty cinnamon-like spice, guava, and green tea notes. Overall, the recipe as well as the overnight blending of flavors led to a rather smooth drink where no one note stood out as all that dominant. Pleasing yet flavorful, the way punch ought to be.

So thank you to Craig of A World of Drinks for picking the theme and running this month's show, and thanks to the rest of the Mixology Monday participants for keeping the spirit of the event alive!

Sunday, December 30, 2018

botty toddy

1 1/2 oz Cognac (Camus VS)
1/2 oz Aged Rum (Plantation Original Dark)
1 oz Pineapple Juice
1/2 oz Cointreau
1/2 oz Thinned Guava Paste (*)
1/2 oz Lemon Juice

Preheat a ~10 oz mug or other heat-resistant vessel with boiling water. Mix ingredients, dump the hot water from the mug, and pour in the mixed ingredients. Top with 4 1/2 oz boiling water and garnish with freshly grated nutmeg.
(*) Equal parts guava paste/jelly and boiling water to melt and thin. Can be prepared in the microwave as well.

This year, I signed up to participate in the Secret Santé event on Instagram that was organized by ServedBySoberon and garnered 154 participants. The idea was that each Instagram (home)bartender would be assigned a person to create a drink to celebrate or pay tribute to them. My assignment was Dries Botty, an Antwerp-based bartender who is also the area's brand ambassador for Cointreau. Luckily, the orange liqueur aspect gave me a starting point. I was originally starting with the idea of a classic Punch or punch-like Tiki drink, and the Mahukona with its triple sec came to mind. I also wanted to incorporate guava jelly that donates a wonderfully smooth and tropical feel to recipes like the West Indies Punch and the Barbadoes Punch. Originally, I was considering a cold libation, but to keep it seasonal, it morphed into a hot one akin to the Hot Zombie. It did not hurt that Dries' last name already sounded like "toddy."
The Botty Toddy had a tropical aroma from the guava, Cointreau, and pineapple that was accented by woody spice. Next, warmed lemon and pineapple on the sip transitioned into brandy, rum, guava, and orange flavors on the swallow. Perhaps a touch of spice would not be out of place here, but I was pleased with the end result being more fruit driven.

Thursday, May 13, 2021

pink moon

3/4 oz White Barbados Rum (Privateer Silver)
1/2 oz Cognac (Pierre Ferrand Ambre)
1/4 oz Dark Jamaican Rum (Smith & Cross)
1 oz Lime Juice
3/4 oz Guava Syrup (1/4 oz Guava Jelly melted into 1/2 oz 1:1 Simple Syrup)
1/4 oz Maraschino Liqueur (Luxardo)
1 tsp Herbsaint
1 dash Angostura Bitters

Shake with ice, strain into a cocktail coupe, and garnish with a lime wheel.

Two Thursdays ago, I uncovered a recipe by Jeff "Beachbum" Berry that he created at Latitude 29 in the notes of an Imbibe podcast from 2020. The drink was a complex and tropical Daiquiri of sorts that had elements of classic Caribbean punches like the brandy and guava of the Barbadoes Punch from Jerry Thomas and of mid-century tropical drinks like the West Indies Punch that appeared in the 1946 Trader Vic (might be older but I have not uncovered a source).
I was also drawn to the name for we had just experienced the Pink Moon which is the full moon in April that fell on the 26th this year. The Almanac described how the moon was not pink, but it was associated with the timing of creeping phlox's pink blooms. Once prepared, the Pink Moon drink presented guava, lime, and bright anise aromas. Next, lime and guava danced on the sip, and the swallow rose with rum, brandy, nutty, and guava flavors and an anise finish.

Monday, January 29, 2018

lost at sea

1 1/2 oz Dry Gin (Beefeater)
1 oz Pineapple Juice
1/2 oz Guava Purée (Guava Jelly melted 1:1 with water)
1/2 oz Orgeat
1/2 oz Lemon Juice

Shake with ice, strain into a Tiki mug, and fill with crushed ice. I garnished with a mint sprig and freshly grated nutmeg.
Two Mondays ago, I began perusing the web for tropical ideas for another entry in the Tiki the Snow Away event on Instagram. On the BarNotes app, I came across the 2015-vintage Lost at Sea by Chris Resnick while at Cardinal Spirits in Indiana, and the combination reminded me of the Humuhumunukunukuapua'a with guava in place of Peychaud's Bitters. Once prepared, the Lost at Sea proffered a woody spice and mint aroma from the garnishes that I added. Next, lemon, pineapple, and guava on the sip transitioned into gin, pineapple, and nutty flavors on the swallow with a lingering guava finish.

Saturday, August 15, 2015

shining on the sea

2 oz Privateer Silver Rum
1/2 oz Green Tea Syrup (*)
1/2 oz Lime Juice
1 barspoon Guava Paste

Shake without ice to integrate the guava paste (**), add ice and shake again. Strain into a cocktail glass and garnish with a sun-shaped lemon or orange twist. Garnish cut out with a bento box vegetable cutter, but knife-work will do just fine.
(*) Strong steep mixed with an equal part of sugar.
(**) With heavily pectinized "block" guava jelly, heat with an equal part of boiling water to dissolve.
Another drink that I created for Loyal Nine's The Walrus and The Carpenter party was one inspired by the West Indies Punch from Trader Vic's 1946 Book of Food & Drink. Stripping one of the two rums in that punch as well as the brandy and Madeira, I was left with something closer to a Daiquiri variation. For a name, I opted for the poem's line "Shining on the Sea," and to support that I garnished with a floated lemon sun-shaped twist, and I later switched to an orange one for better contrast. I had been thinking of the West Indies Punch as I wanted to put a classic on the regular menu for it contains three Colonial boozes -- brandy, rum, and Madeira -- all in one! Here is how I pared down that drink:
West Indies Punch
• 3/4 oz Smith & Cross Rum
• 3/4 oz Lustau Brandy
• 3/4 oz Blandy's 5 Year Malmsey Madeira
• 3/4 oz Green Tea Syrup
• 3/4 oz Lime Juice
• 1 heaping barspoon Guava Paste
Dry shake to get the guava resuspended, shake with ice, and strain rocks glass. Top with cubed ice and garnish with freshly grated nutmeg. For service, all but the juice are batched, such that a 3 oz dispense of the shaken batch and 3/4 oz lime juice speeds up the process.

Monday, December 11, 2017

the basque and bijou

1 oz Appleton Estate 12 Year Rum
1 oz Remy VSOP Cognac
1/2 oz Roasted Green Tea Syrup (*)
1/4 oz St. Germain Elderflower Liqueur
1/2 oz Lemon Juice

Shake with ice, strain into a cocktail coupe with 1 1/2 oz soda water, and garnish with a lemon twist.
(*) Steep 4 tsp roasted green tea in 8 oz boiling hot water for 5 minutes. Strain and mix with an equal volume of sugar.
For my fifth and final night at Earl's Cocktail Lab at the Prudential Center, I decided upon a literary tribute to author Anais Nin via a trio of drinks on the menu. The first was inspired by the Fascination Street, a punch I had made three weeks prior. I kept the Cognac, tea syrup, and lemon juice elements but split the spirit with aged rum and swapped the jasmine tea for a roasted green one. And instead of guava jelly, I added some brighter notes from elderflower liqueur to counter to the darker ones offered by the tea change as well as some soda water to lighten the body. For a name, I opted for the story The Basque and Bijou from Delta of Venus.

Thursday, August 3, 2017

:: we the people -- cocktails in the colonies ::

On Saturday morning, I had set wake-up alarms in triplicate for I was presenting that morning along with moderator Brian Maxwell (bartender Franklin Mortgage & Investment Co) and fellow panelists Wayne Curtis (author of And a Bottle of Rum etc.) and Warren Bobrow (author of Bitters and Shrub Syrup Cocktails etc.). Brian started things off by declaring that this was not a punch seminar: it was about individual serving-sized drinks in the American Colonies.

Wayne began by describing how rum dominated American drinking from the 1600s until about the Revolution in the late 1700s (with beer and cider also playing a role with some imported wine and Madeira as well). A year after Columbus discovered the New World for the Europeans in 1492, he brought back sugar cane plants to the West Indies from the Canary Islands. As luxury items like coffee, tea, and chocolate began to take off in the mid-1600s, these bitter foodstuffs required sugar to make them more palatable. The cooked down, caramelized molasses that was a byproduct of sugar production was of little use for a while until plantation owners learned the value of mixing it with a little water to allow it to ferment. Soon, sugar plantations could cover their costs on just the rum and molasses and the sugar was just profit. Wayne pointed out that it was not just the Thirteen Colonies, but 26 colonies under England rule if you included the islands. The northern colonies supplied the food and lumber while the islands traded back rum and molasses.

Wayne described historical accounts such as Israel Acrelius' where brandies such as apricot and peach were made domestically whereas grape brandy was imported. The Flip of rum, sweetener, and a hearty beer heated with a red-hot piece of iron had a good run until around the 1780s. The caramelization of the sugar and the toasting of the grains added a heavenly flavor that Wayne was not allowed to demonstrate this year (the fire marshal probably caught on since I saw Wayne demonstrate it at Tales of the Cocktail 2011). The egg was most likely not in this hot Flip for the result would end up chunky akin to egg drop soup. The evolution into a cold drink with eggs most likely happened in the 19th century.

Warren took over with a description of how water was a major source of food poisoning. We take for granted that our water is pure today, but in the Colonies, water had to be boiled or mixed with alcohol to cleanse it. Vinegar was also used extensively along with bitters to heal the stomach. That vinegar ended up in acidulated beverages called Shrubs that were a method of fruit preservation.

Next, Brian discussed how the pineapple became the symbol of hospitality in the Colonies as it was hung to signify that someone was back from a voyage. While the Tea Stamp Act got most of the attention in the history books for leading to the Revolution, it was the 1764 Molasses Act that showed the first signs of rebellion. It also shaped how the country drank for when sugar, molasses, and rum became taxed, the country focused more on making our own alcohol with grain.

I rounded out the talk to discuss how the concepts and drink recipes that the other panelists mentioned could be brought into effect in a modern bar given my experiences as head bartender at Loyal Nine, a Colonial-inspired and East Coast revival theme in Cambridge, MA. Here are excerpts from my notes with links to the drinks (instead of putting up a slide deck). Since I was given a lot more time to fill than expected, I ended up providing a lot more detail, extra pointers, and side anecdotes:

"I first met our chef, Marc Sheehan, back in 2012 through one of my bartender friends who partnered with him to do a historically themed pop-up dinner series called Brass Tacks. Marc was cooking at one of the better restaurants in town but he wanted to utilize the love of history that he went to college for. When I saw an ad for a bartender in January 2015 for Marc's own brick and mortar restaurant, I applied since I wanted to work with his energy and respect for history and it was time to move on from the bar I was working at. The restaurant is named after the Loyal Nine who along with the Sons of Liberty spawned from the Boston Caucus Club. The Caucus Club was a tavern society formed to discuss issues of how England was financially and socially constricting freedom in the Colonies. While the Sons of Liberty were the politicians who fomented the Revolution, the Loyal Nine were a secret society of tradesmen and craftsman that included printers, distiller, jeweler, metal workers who opposed the Stamp Tax. They all worked with their hands and were trying to institute a change – not unlike what we are trying to do at our restaurant.

We at Loyal Nine focus on the 3 main spirits that were drank around that time: brandy from the Old World, rum from the New World, and Madeira which was a tax loophole. Madeira was a trade loophole for British law forbade colonists from importing goods directly from Europe – they had to pass through England and pay taxes and shipping costs; however, Madeira is an island off the coast of Africa and it was exempt. It is also fortified and also very shelf stable with Madeiras being fine two hundred years later. Madeira was what was drank at the signing of the Declaration of Independence. We do have other spirits but with less depth such as only having one blanco tequila and one mezcal especially in deference to one of the finest agave bars in the city, Lone Star Taco bar, being across the street.

There are three ways that we approach Colonial drinks and older styles of drinking
a) recreate the classics as close as possible
b) reconsider the old & updating them with modern flavors
c) rethink the modern to bring an aspect of it back a few centuries

Recreate the classics as close as possible:
Switchels have some similarity to shrubs in that there is a vinegar component to make it refreshing, but it is a mix of the vinegar, ginger, sweetener, and water; often, that sweetener was molasses but honey, maple, and various sugars have been utilized. The drink's origins began in the Caribbean, but it traveled up to New England where it took hold in the late 17th century. It was also dubbed the Haymaker's Punch for it was very popular with New England farmers especially on hot days. I worked with my chef to see what housemade ingredients he had that I could play with that included a fermented molasses that we use on our ribs and Russet apple cider vinegar that he had made from last year's harvest. I also used the house fermented ginger beer that one of the owners makes as the ginger element. To make it boozy, I opted for rum as a base which was temporally accurate if there was any mixing done back then. As an off menu item, half the servers described it as a Switchel and half as a Haymaker's Punch, with the latter being a better seller. It would not be the last time that name choice was key. At the bar, I connected with guests by describing the drink as a “Colonial Dark & Stormy” – an old combination that matches modern sensibilities.

For Winter one year, I made a Hot Buttered Rum batter that utilized the regular spices of cinnamon, nutmeg, allspice, and clove. I also worked with the kitchen to match the food by including in Piccalilli spices which were a British condiment spice blend based on Indian spices that made its way over to the American Colonies. It was an easy sell to offer this with the dish or dishes that utilized Piccalilli spices with guests commenting on the beautiful pairing. Also very easy to sell when the temperature drops to the single digits. At our Holiday party, I made this for our chef Marc with his favorite liqueur Malört as a joke – except he really loved it. We put it on the menu below the rum option as “…or drink like chef with Malört” and it sold very well. People love to drink like the bartender or the chef. Which leads me to the next concept...

Reconsider the old with modern flavors:
When I did the Black Stripe that appears in Jerry Thomas’ 1862 cocktail book, I opted for the hot version of rum, molasses, and water. Obviously a very old and basic combination. Here, I subbed out half of the rum for Malört – a wormwood based herbal liqueur. Despite the cold weather, when it was called a “Black Stripe,” no one bought one. The following day, I pitched it to the servers and the bar guests as a “Toddy” and it sold rather well. Adding the herbal liqueur added some pizzazz as well as modernized it.

As a tribute to the predecessor of the Loyal Nine, I created a Rum Flip to honor the Caucus Club. While keeping Colonial flavors like honey and Madeira, I also added some modern ones like Amaro – here, Averna. Another Flip was based off of Jacob Grier’s sherry-based PX Flip that utilized a whopping amount of Angostura Bitters. Using extreme amounts of bitters is definitely a modern trend that can be a selling point to certain guests where a Madeira Flip alone would not be as convincing to them.

Rethink the modern to bring an aspect of it back a few centuries:
One of the only drinks that predated the restaurant’s hiring of the bar staff was the Dirty Martini. I remember at my job interview, one of the owners told me that there would be a Dirty Martini on the menu. I replied that if there was a way to elevate this drink, that would be awesome, otherwise we shouldn’t waste space on the menu. I wasn’t told how it would work, but I had faith. The Dirty Martini here ties in with our kitchen by using sauerkraut brine (as well as sauerkraut salt and pickled vegetable garnishes). Lactic pickling is Colonial and similar to shrubs but is often more done with vegetables than fruit. It also utilized a byproduct of our kitchen. When we opened, we did not have olives in house for they were not very New England. However, guests expected them and servers made emotional pleas to make their current and future guests happy. Eventually, we had to bring on olives and olive brine and make sure that the guest wanted the Dirty Martini on the menu. Unlike the kitchen, the bar is expected to be more general and for everyone’s taste sensibilities.

Another modern drink style that could be merged with the exploration of the Americas during the Colonial times is Tiki. Rum and citrus were very Colonial. So were tea, tamarind, guava jelly, Madeira, brandy, and other ingredients that work well with the Tiki style and the Colonial theme. Here, I riffed on Hell in the Pacific subbing out the 151 rum and swapping it for Madeira and adding some spice element to make Hell in the Atlantic. We also utilize Colonial Tiki mugs (bird-shaped planters) instead of exotic ones.

Points to consider:
• Just offering the drink verbally or on the menu is not enough.
• Think about the name and consider renaming it to something more modern or approachable.
• Sell it with enthusiasm.
• Use more modern ingredients, flavors, and styles to gain the guest's trust.
• Figure out how to compare the old to modern drinks.
• Utilize the moment of bartender's choice or gifting “thank you juice”
• Use flavor and spice combinations that pair well with dishes and desserts and sell it that way as a pairing. Work with the kitchen to generate this synergy.
• While you can design your food and drink program any way you wish, the bar is still believed to be more general purpose. My chef would not put a burger on the menu (he did put a sandwich on the bar menu) for example, but Cosmos, cold glasses of vodka, and olive-laden Dirty Martinis still are requested and made.
• It is surprising how many people declare that they are “foodies,” and then a beat or two later say that they only drink vodka.
• Our menu has diversity from modern to Colonial and hybrids in between to make things approachable. Also, life would not be as livable without a Negroni, so we definitely offer a variation on the menu as well as make the original."